The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.
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The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.
Of the literally dozens of memorable bands that emerged from the British Beat scene in the early to mid-'60s, the Zombies were one act that stood out: there was a smart, slightly arty aura to their clever and beautifully crafted melodies, superb vocal harmonies, and a distinct instrumental sound, highlighted by Rod Argent's keyboard work, often using electric piano to memorable effect. Even when the Zombies rocked out or sunk into a tough R&B groove, they could convey a keen intelligence along with their energy, and their more introspective moments gave them a sound and feel that was unique…
Short of buying Big Beat's four-CD Zombie Heaven box, this disc and Repertoire's companion expanded reissue of Odessey & Oracle are probably the simplest and handiest way to plunge into the Zombies' history, or at least the best of it. Using the original 14 songs off their debut album – one of the strongest British Invasion debuts – as a jumping off point, this disc adds 17 more songs from adjacent sessions before and after. The latter include single A- and B-sides ("Tell Her No," "Leave Me Be," etc.), EP cuts that never made it onto their original LPs, and odd outtakes like "I'm Going Home." One of the factors that helped place the Zombies in the front rank of British Invasion bands was the quality of their work, which was so high that even their outtakes are worth hearing multiple times, as is borne out on this disc. The music itself is primarily R&B-based British pop/rock, similar to the Beatles, the early Moody Blues, and, to a lesser degree, the Hollies at their most soulful, and as inventive, entertaining, exciting, and original as any material of this era in history.