Bend River

This was the only directorial effort of Philip D'Antoni, producer of the action classic Bullitt (1968). Roy Scheider stars as Buddy Manucci, a New York City Police Department investigator running a task force charged with taking down criminals guilty of offenses that would get them a minimum sentence of seven years in prison upon conviction. Manucci's best street informant is Vito Lucia (Tony Lo Bianco), who double-crosses Manucci by using the lawman's secret list of Mob loan sharks to kidnap the crooks on the list and hold them for ransom. When the scheme results in the death of Ansel (Ken Kercheval), one of Manucci's men, the tough cop and his team, including Barilli (Victor Arnold) and Mingo (Jerry Leon), wage war on the city's underworld. As they bend the law in whatever violent shape they see fit in order to track Lucia down, grisly deaths and a heart-stopping highway car chase along the Hudson River ensue.

Ex-gunhawk meets up and coming young punk intent on proving his worth by knocking off the king of the heap. Been there, done that. Seems like Angie Dickinson played this identical part in several films; wonder if she got as bored doing it as I did watching. What was with Royal Dano doing his impersonation of an injun? The producer couldn't find the genuine article? Let this one be your last choice.

Having been robbed of a year's worth of skins by marauding Indians, Jed Cooper (Mature), Gus Hideout (James Whitmore), and Mungo (Pat Hogan) sign on at a nearby fort. Jed, however, falls in love with Corinna (Anne Bancroft), the refined wife of the commanding officer, Colonel Marston (Robert Preston), and when the latter begins to plan an all-out attack on an unruly Indian tribe, he attempts to prevent what, in all likelihood, will be a mass slaughter.

Michael Powell and Emeric Pressburger’s beloved classic A Canterbury Tale is a profoundly personal journey to Powell’s bucolic birthplace of Kent, England. Set amid the tumult of the Second World War, yet with a rhythm as delicate as a lullaby, the film follows three modern-day incarnations of Chaucer’s pilgrims - a melancholy “landgirl,” a plainspoken American GI, and a resourceful British sergeant - who are waylaid in the English countryside en route to the mythical town and forced to solve a bizarre village crime. Building to a majestic climax that ranks as one of the filmmaking duo’s finest achievements, the dazzling A Canterbury Tale has acquired a following of devotees passionate enough to qualify as pilgrims themselves.

Until now, Jacques Feyder has been unjustly reduced almost to a footnote in film history, but these beautifully-restored editions with stunning tints and new orchestral scores reveal him as one of the finest silent film directors in Europe. Following these accomplishments, Feyder was invited to Hollywood in 1929 to direct two outstanding films with Greta Garbo, The Kiss and the German version of Anna Christie, and to London for Marlene Dietrich in Knight without Armour; he is probably best remembered for Carnival in Flanders (La Kermesse heroique, 1935), which, unfortunately, was cut by about one-third for American release.

Gilles and Christine a boy and a girl live in the outskirts of Paris, their families are ineffective and distant and they lead a purposeless life. They steal some records in a supermarket but she is caught and sent to a nursing home by force by her parents. She escapes and follows Gilles to a house where some other youths live. They then decide to go south: Christine has been told there is a commune there, where artists live. So they head south sleeping rough…

Outlaw Ben Vandergroat (Robert Ryan) and his 'traveling companion' Lina Patch (Janet Leigh) are captured by mysterious loner Howard Kemp (James Stewart), with a major assist from AWOL cavalryman Roy Anderson (Ralph Meeker) and grizzled prospector Jesse Tate (Millard Mitchell). Roy and Jesse think they're helping an official lawman, but Ben jeeringly lets them know that Howard is really an amateur bounty hunter seeking revenge. The troubled party of outcasts starts to take Ben back to civilization to split the reward, which gives Ben time to play one captor against the other. Roy and Jesse are easily swayed by greed, and Ben encourages Lina to cozy up to Howard, to find a weakness in his armor.