Reissue. Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. The 1950s had largely been a waste for Howard McGhee, as drug addiction had taken its toll on his playing. But he is in good form for this 1961 studio session for Bethlehem, leading a septet with baritone saxophonist Pepper Adams, trombonist Bennie Green, and tenor saxophonist Roland Alexander, with a top-notch rhythm section of Tommy Flanagan, Ron Carter, and Walter Bolden an added bonus.
Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?
Back in the '80s, Paul Murphy developed a cult following as the U.K. DJ who fueled the parties at the WAG Club's Jazz Room. By drawing heavily on the soul-jazz and hard bop records of the '50s and '60s, he developed something of an underground dance craze, one that ran parallel to Northern soul and one that got big enough to attract patrons as prominent as Jerry Dammers of the Specials. A record called The Jazz Club presented highlights from these swinging parties and Murphy continued to DJ outside of the WAG Club, but the trend faded away by the early '90s and, along with it, so did Murphy. Many years later, producer Dean Rudland eventually reconnected with Murphy via Facebook, a rekindling that led to this Ace compilation from 2014. The Return of Jazz Club: Dancefloor Classics from the Original Jazz Dance DJ is a 15-track collection culled from the Prestige and Riverside vaults…
To hear Booker Ervin as the leading solo voice on a recording with a larger ensemble is a treat, not only for his fans, but for those interested in modern big-band sounds grown from the bop era that are flavored with urban blues. A trio of different sessions done at Webster Hall in New York City features groups ranging from ten to eleven pieces, with personnel switched up, and no supplemental saxophonists.
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
This is the first recording sessions for the legendary Musicraft label in the late forties...