Lee Morgan recorded for Blue Note in the late '50s, playing seven dates between 1956 and 1958. Morgan was still in his teens at the time and half of the joy of The Complete Blue Note Lee Morgan Fifties Sessions is hearing the trumpeter develop at a rapid rate. The four-disc box set The Complete Blue Note encompasses sessions with Horace Silver, Paul Chambers, Benny Golson, Wynton Kelly, Sonny Clarke, Doug Watkins, and Art Taylor. Morgan may have been young at the time these were recorded, but he was impressive even at the beginning, playing blistering hard bop and lyrical ballads with equal ease. He may have gone on to record greater, more influential albums but this music remains exciting, vital, and simply joyous.
This amazing concert, issued here for the first time ever on DVD, features some of the only images of Lee Morgan captured on film (he was 21 years old when this concert took place) as well as a young, pre-Miles era, Wayne Shorter. This DVD shows the Jazz Messengers at the height of their skills, in a city they were very familar with (they recorded one of their most famous albums a year previously at the Club Saint Germain). All the tunes here have their highlights, yet it is Dizzy Gillespie's "A Night In Tunisia" which really stands out.
This incredible 4-CD boxed set from Mosaic chronicles trumpeter Lee Morgan's complete sessions as a leader in the 1950's for Blue Note. Through the set, one can hear the progression from a Clifford Brown influenced player(although the unmistakable Morgan touch is there) to a fiery, highly inventive soloist that would catapult him to superstardom later on. Morgan is surrounded by all star players that include: Hank Mobley, Arthur Taylor, Philly Joe Jones, Horace Silver etc. and they inspire Lee to perform at a very high level. Highlights include a August 25, 1957 date featuring George Coleman, Curtis Fuller and Art Taylor. As well as a 9/29/57 date(recorded two weeks after John Coltrane's historic Blue Train album) featuring Pepper Adams, Bobby Timmons, Paul Chambers, and Philly Joe Jones.
The late 50's were a prime period for Art Blakey's Jazz Messengers, and in 1958 this group features emerging stars trumpeter Lee Morgan, Benny Golson on tenor and pianist Bobby Timmons, and the 1958 version of The Jazz Messengers was widely recorded during their stay in Euroupe, so this CD contains some of the better uptempo arrangements in the Blakey book as I Remember Clifford, Along Came Betty, Moanin' and Whisper Not. Hard bop at its best, and all of them propelled by the powerful drumming of Art Blakey.
A complete, previously unissued 1958 concert, with excellent sound quality, performed in Zurich by one of the best formations of Art Blakey’s Jazz Messengers, featuring Lee Morgan, Benny Golson, Bobby Timmons and Jymie Merritt. Contains new versions of the classics “Moanin’” and “I Remember Clifford”, along with the only existing live version of “Come Rain or Come Shine” by this group, and an amazing trio version of “My Funny Valentine” with Bobby Timmons as the featured soloist.
These sessions document unequivocally why Dizzy Gillespie is still considered one of the greatest improvisers in the history of jazz, for his mastery of the instrument, his command of time, his control over musical ideas, and his ability to entertain. He was blessed during this period, which spans 1954 to 1963, with stellar sidemen, unparalleled arrangements, and a surge of excitement for making music.