Benny Golson

Sahib Shihab: Complete Sextets Sessions 1956 - 1957  Music

Posted by Alexix at Dec. 29, 2008
Sahib Shihab: Complete Sextets Sessions 1956 - 1957

Sahib Shihab: Complete Sextets Sessions 1956 - 1957
Flac 371 Mb | MP3 320k 309 Mb | Time: 61:03+56:48 | Art: Full scan
Jazz | Original: 1956-1957 | Reissue: 2008 | Label: Fresh Sound Records
Lee Morgan - The Complete Blue Note Lee Morgan Fifties Sessions (1995) [4CD] {Mosaic MD4-162} [Repost]

Lee Morgan - The Complete Blue Note Lee Morgan Fifties Sessions (1995) [4CD] {Mosaic MD4-162}
EAC rip (secure mode) | FLAC+CUE+LOG -> 1.63 Gb | MP3 @320 -> 615 Mb
Full Artwork @ 300 dpi (png) -> 52 Mb
© 1995 Mosaic Records / Blue Note | MD4-162
Jazz / Hard Bop / Trumpet

Lee Morgan recorded for Blue Note in the late '50s, playing seven dates between 1956 and 1958. Morgan was still in his teens at the time and half of the joy of The Complete Blue Note Lee Morgan Fifties Sessions is hearing the trumpeter develop at a rapid rate. The four-disc box set The Complete Blue Note encompasses sessions with Horace Silver, Paul Chambers, Benny Golson, Wynton Kelly, Sonny Clarke, Doug Watkins, and Art Taylor. Morgan may have been young at the time these were recorded, but he was impressive even at the beginning, playing blistering hard bop and lyrical ballads with equal ease. He may have gone on to record greater, more influential albums but this music remains exciting, vital, and simply joyous.
Art Blakey and The Jazz Messengers - Paris 1959 (2006) [DVD5] (ft. Lee Morgan}

Art Blakey and The Jazz Messengers - Paris 1959 (2006) [DVD5] (ft. Lee Morgan}
DVD5 -> 3.45 Gb | All Regions | NTSC 4:3 | LinearPCM, 2 ch | ~ 51m | ISO Image | 5% repair rar
© 2006 Impro-Jazz | IJ 517 | Artwork @ 400 dpi (png) -> 114 Mb
Jazz / Hard Bop

This amazing concert, issued here for the first time ever on DVD, features some of the only images of Lee Morgan captured on film (he was 21 years old when this concert took place) as well as a young, pre-Miles era, Wayne Shorter. This DVD shows the Jazz Messengers at the height of their skills, in a city they were very familar with (they recorded one of their most famous albums a year previously at the Club Saint Germain). All the tunes here have their highlights, yet it is Dizzy Gillespie's "A Night In Tunisia" which really stands out.
Lee Morgan - The Complete Blue Note Lee Morgan Fifties Sessions (1956-58) [4CD BoxSet] {1995 Mosaic Remaster} [repost]

Lee Morgan - The Complete Blue Note Lee Morgan Fifties Sessions (1956-58) [4CD BoxSet] {1995 Mosaic Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.64 Gb | MP3 @320 -> 614 Mb
Full Artwork @ 300 dpi (jpg) -> 52 Mb | 5% repair rar
© 1995 Mosaic Records / Blue Note | MD4-162
Jazz / Hard Bop / Trumpet

This incredible 4-CD boxed set from Mosaic chronicles trumpeter Lee Morgan's complete sessions as a leader in the 1950's for Blue Note. Through the set, one can hear the progression from a Clifford Brown influenced player(although the unmistakable Morgan touch is there) to a fiery, highly inventive soloist that would catapult him to superstardom later on. Morgan is surrounded by all star players that include: Hank Mobley, Arthur Taylor, Philly Joe Jones, Horace Silver etc. and they inspire Lee to perform at a very high level. Highlights include a August 25, 1957 date featuring George Coleman, Curtis Fuller and Art Taylor. As well as a 9/29/57 date(recorded two weeks after John Coltrane's historic Blue Train album) featuring Pepper Adams, Bobby Timmons, Paul Chambers, and Philly Joe Jones.
Art Blakey & The Jazz Messengers - Drivin' Hard In Zurich (1958) {Hard Note HD041258 rel 2009}

Art Blakey & The Jazz Messengers - Drivin' Hard In Zurich (1958) {Hard Note HD041258 rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 594 Mb | MP3 @320 -> 243 Mb
Full Artwork @ 300 dpi (png) -> 5 Mb | 5% repair rar
© 1958, 2009 Hard Note | HD041258
Jazz / Hard Bop

The late 50's were a prime period for Art Blakey's Jazz Messengers, and in 1958 this group features emerging stars trumpeter Lee Morgan, Benny Golson on tenor and pianist Bobby Timmons, and the 1958 version of The Jazz Messengers was widely recorded during their stay in Euroupe, so this CD contains some of the better uptempo arrangements in the Blakey book as I Remember Clifford, Along Came Betty, Moanin' and Whisper Not. Hard bop at its best, and all of them propelled by the powerful drumming of Art Blakey.
Art Blakey & The Jazz Messengers - Live In Zurich 1958 (2010) {2CD Solar Records 4569881}

Art Blakey & The Jazz Messengers - Live In Zurich 1958 (2010) {2CD Solar Records 4569881}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 560 Mb | MP3 @320 -> 242 Mb
Full Artwork @ 300 dpi (png) -> 32 Mb | 5% repair rar
© 1958, 2010 Solar Records | 4569881
Jazz / Hard Bop

A complete, previously unissued 1958 concert, with excellent sound quality, performed in Zurich by one of the best formations of Art Blakey’s Jazz Messengers, featuring Lee Morgan, Benny Golson, Bobby Timmons and Jymie Merritt. Contains new versions of the classics “Moanin’” and “I Remember Clifford”, along with the only existing live version of “Come Rain or Come Shine” by this group, and an amazing trio version of “My Funny Valentine” with Bobby Timmons as the featured soloist.
The Rebecca Kilgore Trio - The Rebecca Kilgore Trio, Vol. 1 (2021)

The Rebecca Kilgore Trio - The Rebecca Kilgore Trio, Vol. 1 (2021)
WEB FLAC (tracks) - 182 MB | Tracks: 13 | 46:46
Style: Jazz, Vocal Jazz | Label: HeavyWood Music

Jazz vocalist Rebecca Kilgore is one the most prolific recording and performing artists on the scene today. With 50 or so recording projects as a leader or co-leader, she is one of the most respected interpreters of the Great American Songbook. Based in Portland, OR, Kilgore has worked with many of the top jazz musicians in the Pacific Northwest and beyond.
Dizzy Gillespie - The Verve/Philips Dizzy Gillespie Small Group Sessions (1954-1964) {7CD Box Set Mosaic MCD7-234 rel 2006}

Dizzy Gillespie - The Verve/Philips Dizzy Gillespie Small Group Sessions (1954-1964) {7CD Box Set Mosaic MCD7-234 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.25 Gb | MP3 @320 -> 1.20 Gb
Full Artwork @ 300 dpi (jpg) -> 117 Mb | 5% repair rar
© 1954-64, 2006 Verve / Philips / Mosaic Records | MCD7-234
Jazz / Bop / Afro-Cuban Jazz / Trumpet

These sessions document unequivocally why Dizzy Gillespie is still considered one of the greatest improvisers in the history of jazz, for his mastery of the instrument, his command of time, his control over musical ideas, and his ability to entertain. He was blessed during this period, which spans 1954 to 1963, with stellar sidemen, unparalleled arrangements, and a surge of excitement for making music.

Curtis Fuller Sextette - Imagination (1959, CD 1995)  Music

Posted by stfine at July 15, 2011
Curtis Fuller Sextette - Imagination (1959, CD 1995)

Curtis Fuller Sextette - Imagination (1959, CD 1995)
EAC rip | FLAC image + cue + log + scans / MP3 320 kbps | 00:43:34 | 218 MB / 103 MB (3% rec.)
Hard Bop, Cool Jazz | Label: Savoy Jazz, CY-78996 (COCY-78273)

Prior to the official formation of the Jazztet with trumpeter Art Farmer, trombonist Curtis Fuller and tenorman Benny Golson made several albums together, usually with other trumpeters. This somewhat rare date has trumpeter Thad Jones, bassist Jimmy Garrison, drummer Dave Bailey, and, most significantly, pianist McCoy Tyner in his recording debut completing the sextet. Fuller arranged all five of the songs, four of which were his originals. Although the material (other than the lone standard "Imagination") is unfamiliar, the chord changes inspire the players to create some fine solos. Easily recommended to hard bop fans lucky enough to find this album.
Gene Harris - The Three Sounds (1971) & Gene Harris Of The Three Sounds (1972) [2012, Reissue]

Gene Harris - The Three Sounds (1971) & Gene Harris Of The Three Sounds (1972) [2012, Reissue]
Jazz, Soul-Jazz, Jazz-Funk | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 01:18:51 | 557,16 Mb
Label: Real Gone Music/Dusty Groove (USA) | Cat.# RGM-0111 | Released: 2012-12-04 (1971/1972)

This two-fer pairs two pivotal and seemingly conflicting recordings in the career of Gene Harris as he entered the 1970s, a period that was to see his trademark rootsy sound embrace the emergent jazz-funk.