This release features some of the best live recordings by the celebrated Benny Goodman Sextet featuring the legendary Charlie Christian. Taken from rare radio broadcasts, they present the magic of Christians guitar during his short-lived three year music career, before he succumbed to tuberculosis in early 1942. As a bonus, this edition presents four tracks taken from a jam session at Minneapolis Harlem Breakfast Club, presenting the Jerry Jerome Quartet with Charlie Christian on electric guitar (including extended solos), Frankie Hines on piano and the great Oscar Pettiford on bass (no drums).
In 1992 the Masters of Jazz historic reissue label initiated a nine-part series devoted to the recordings of jazz guitarist Charlie Christian (1916-1942). Volume one, which consists of recordings made between August 19 and October 31, 1939, opens with material harvested from Camel Caravan radio broadcasts emanating from the Hollywood Bowl and the Michigan State Fair in Detroit. These tracks feature the guitarist as a newly hired member of the Benny Goodman Sextet. Christian's first studio session occurred on September 11, 1939 when he participated in a Victor recording date with a band led by vibraphonist Lionel Hampton. On September 24, 1939 Christian was recorded while participating in a late-night jam session at the Harlem Breakfast Club in Minneapolis, MN…
Buddy Rich, the most remarkable drummer to ever play jazz, can easily have his career divided into three. During 1937-1945 he was a notable sideman with big bands including those of Bunny Berigan, Artie Shaw, and Tommy Dorsey. In 1966 he formed his own successful orchestra that capitulated him to his greatest fame. During the 20 years in between, Rich led short-lived bebop big bands, a variety of combos, toured with Jazz at the Philharmonic, recorded with all-star groups, and had stints with the orchestras of Dorsey and Harry James. This seven-CD set draws its material from Rich's second period and it can also be divided into two. The first half has Rich recording for producer Norman Granz in a variety of combos.
Charlie Christian's tragic death at the age of 23 is a firmly entrenched fact of jazz mythology. On The Genius of the Electric Guitar, which consists of various tracks recorded with the Benny Goodman Sextet and Orchestra, Christian's revolutionary guitar playing is clearly displayed. In keeping with the era, each of these 16 songs is relatively short, with each soloist allowed only a chorus or two to make their statements. Paucity of time troubles Christian and his compatriots not a whit, however, and they let loose with concise, swinging lines. Of the other soloists on display here, Lionel Hampton and Goodman himself play admirably, but Christian is in a different league altogether, his sophistication remarkable. Exhibit A: his solo in "Rose Room." Logically constructed and rhythmically varied, it is nevertheless eminently singable…