Benny Hill

Benny Green continued to show gradual growth throughout the 1990s. For this outing with his 1994 trio (which also includes bassist Christian McBride and drummer Kenny Washington), Green shows off the influence of Oscar Peterson and other predecessors, but also displays his own musical voice during a mixture of originals, jazz standards (including "I Want to Talk About You," "Pensativa" and "The Folks Who Live on the Hill") and lesser-known tunes. Three songs add six horns orchestrated by Green and Bob Belden, and a special highlight is Green's solo rendition of Oscar Peterson's "Noreen's Nocturne." Overall, this CD is an excellent example of Benny Green's playing and writing talents.

Buddy DeFranco - I Hear Benny Goodman & Artie Shaw, Vol. 2 (1957) [2CD] {2007 Lone Hill Jazz Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 452 Mb | MP3 @320 -> 241 Mb
Full Artwork @ 600 dpi (jpg) -> 273 Mb | 5% repair rar
© 2007 Lone Hill Jazz / Verve | LHJ 10281
Jazz / Bop / Clarinet

5 complete LPs presented on 2 companion volumes! Featuring Carl Perkins, Jimmy Rowles, Barney Kessel and Don Fagerquist! Benny Goodman and Artie Shaw were among the most famous and beloved figures in swing music both as clarinet soloists and orchestra conductors. They were still very active musically in 1957, when Buddy De Franco decided to record a series of sessions paying homage to them. Thirty-five performances were recorded (including four medleys containing three songs each) in four extended sessions made on four consecutive days and with two different groups (guitarist Barney Kessel, however, is present on most of the tracks).

5 complete LPs presented on 2 companion volumes! Featuring Carl Perkins, Jimmy Rowles, Barney Kessel and Don Fagerquist! Benny Goodman and Artie Shaw were among the most famous and beloved figures in swing music both as clarinet soloists and orchestra conductors. Th ey were still very active musically in 1957, when Buddy De Franco decided to record a series of sessions paying homage to them. Thirty-five performances were recorded (including four medleys containing three songs each) in four extended sessions made on four consecutive days and with two different groups (guitarist Barney Kessel, however, is present on most of the tracks). The first two sessions included trumpeter Don Fagerquist, tenor saxophonist Georgie Auld and pianist Carl Perkins. The second group includes trumpeter Ray Linn and another modern jazz pianist: Jimmy Rowles…

Buddy DeFranco - Wholly Cats (1957) Vol. 1 {2007 Lone Hill Jazz Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 294 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 600 dpi (jpg) -> 194 Mb | 5% repair rar
© 2007 Lone Hill Jazz / Verve | LHJ 10282
Jazz / Bop / Clarinet

5 complete LPs presented on 2 companion volumes! Featuring Carl Perkins, Jimmy Rowles, Barney Kessel and Don Fagerquist! Benny Goodman and Artie Shaw were among the most famous and beloved figures in swing music both as clarinet soloists and orchestra conductors. Th ey were still very active musically in 1957, when Buddy De Franco decided to record a series of sessions paying homage to them. Thirty-five performances were recorded (including four medleys containing three songs each) in four extended sessions made on four consecutive days and with two different groups (guitarist Barney Kessel, however, is present on most of the tracks).

Jimmy Cleveland - Complete Recordings (2006) {2CD Set, EmArcy–Lone Hill Jazz LHJ10235 rec 1955-1959}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 794 Mb | MP3 @320 -> 359 Mb
Full Artwork @ 300 dpi (jpg) -> 51 Mb | 5% repair rar
© 1955-59, 2006 EmArcy / Lone Hill Jazz | LHJ10235
Jazz / Bop / Hard Bop / Trombone

This two CD set features the complete recordings of Jimmy Cleveland as a leader. Trombonist Cleveland closely follows in the footsteps of the great J.J. Johnson. Fluid, dynamic solos over the great ensemble writing of Quincy Jones, Benny Golson and others. A must have for fans of trombone and mid-'50s post-Bop. One of the most exciting jazz trombonists of the 1950s, Jimmy Cleveland had a technique equal to that of Bill Watrous (who would not emerge until a decade later), an enthusiastic style that could hold its own with Frank Rosolino, and was the first important new voice on the trombone to emerge after J.J. Johnson.