The Boston-based FMRJE belies the notion that the only thing happening in that city jazz-wise is the bebop played by whippersnappers at Berklee. Drummer Dennis Warren is apparently the leader of this outfit. Not that the tunes are particularly substantive – they serve merely as springboards for the collective improvisations to follow. The soloists are without exception first-rate.
The Boston-based FMRJE belies the notion that the only thing happening in that city jazz-wise is the bebop played by whippersnappers at Berklee. Drummer Dennis Warren is apparently the leader of this outfit, but former Cecil Taylor sideman/trumpeter Raphe Malik takes composer credit on all but one of the tunes. Not that the tunes are particularly substantive – they serve merely as springboards for the collective improvisations to follow. The soloists are without exception first-rate.
The Boston-based FMRJE belies the notion that the only thing happening in that city jazz-wise is the bebop played by whippersnappers at Berklee. Drummer Dennis Warren is apparently the leader of this outfit. Not that the tunes are particularly substantive – they serve merely as springboards for the collective improvisations to follow. The soloists are without exception first-rate.
Violinist Stéphane Grappelli's maturity is nicely mapped by this Verve Jazz Masters compilation containing 14 recordings made between September 1966 and May 1992. A skilled improviser whose lengthy career began in the '30s when he co-led the Quintet of the Hot Club de France with Django Reinhardt, Grappelli had a very productive comeback during the time period covered by this collection. The cast of creative collaborators includes guitarists Diz Disley, Ike Isaacs, and Larry Coryell, pianists Michel Legrand and George Shearing, and bassists Eberhard Weber and Niels-Henning Ørsted Pedersen.
Two of vibraphonist Gary Burton's albums from 1969-1970 are reissued in full on this single CD. Burton teams up with pianist Keith Jarrett for five numbers (including four of Jarrett's originals) in 1970, using a quintet that also features guitarist Sam Brown, bassist Steve Swallow, and drummer Bill Goodwin. The other session has more of an avant-country flavor, with Burton, Swallow, and Goodwin joined by guitarist Jerry Hahn and violinist Richard Greene; Michael Gibbs and Swallow contributed most of the obscurities. Burton was at his most explorative during this period, which is why he can be considered one of the pioneers of fusion (although his music never really fit into a tight category). This is excellent music that mostly still sounds fresh.