Berlin 36

This, the first ever release on CD of the 1980 cult futurist / synth-pop album ‘Berlin Blondes’, collects together all of the electronic band Berlin Blondes’ commercially released studio output. The band only ever made one, albeit landmark, album. Notably, it was produced by the legendary Mike Thorne as a de facto career bridge between his celebrated work with post-punk band Wire on their first three albums and his subsequent career defining synth- pop productions, shortly thereafter, with pioneering electronic pop acts Soft Cell, Bronski Beat and B-Movie.

This wonderfully re-issued Orchestral Music of Giacomo Puccini - (1858-1924) offers a unique orchestral side of this genius of opera. These orchestral compositions may be divided into two areas: orchestral and operatic. Selections I & II are from Puccini's student days at the Milano Conservatory. Selections III-XI date from his early days as an operatic composer including the truly delightful Minuets - I-III and the lush and haunting Crisantemi of 1892, written for a funeral.

A few weeks before his 90th birthday the legendary American film composer John Williams conducted the Berliner Philharmoniker for the first time! The Tagesspiegel summed up the event as simply “one of those great evenings”. Regardless of whether Star Wars, Harry Potter or Indiana Jones, the symphonic Hollywood sounds on the stage of the Berliner Philharmoniker thrilled the audience right from the start. The soundtracks of John Williams are among the most popular in the history of film and have received numerous prestigious awards, including five Oscars, five Emmys, four Golden Globes and twenty-five Grammys.

Bach revised his Johannes-Passion regularly: he returned to it over a period of twenty-six years, from 1724 to his death. It is the version hallowed by tradition, established by the Kantor a year before his death, that is presented on these CDs. But the 1725 version, equally outstanding musically, has also been recorded complete and can be downloaded as a bonus in high-resolution sound. Comparison of the two versions reveals the underlying meaning of this matchless Passion.

At the finale of the "Musikfest Berlin" 2022, the musicians of the Deutsche Oper Berlin and their BigBand performed “Epitaph” as a tribute to the 100th birthday of Charles Mingus.
Under the energetic baton of Titus Engel, the musicians of the BigBand and the Orchestra of the Deutsche Oper Berlin and the Jazzinstitut Berlin explore the realms of expression of dark threat, profound songfulness, conflict and ecstasy with irrepressible joy of playing and remarkable clarity. Star trumpeter Randy Brecker lets his wonderfully clear tone soar to the highest heights. It becomes touching when Jorge Puerta sings "Freedom" with a powerful voice and the musicians hum along…

This memorable recording from the Staatsoper Unter den Linden in Berlin was Arthaus Musik’s first official release in 2000. It features one of the most popular Mozart operas, „Le Nozze di Figaro“, a witty satire on the authority of the reigning noble class and infidelity in love relationships. Starring a great cast of singers with Dorothea Röschmann, René Pape, Emily Magee and Peter Schreier – to name but a few – this performance is conducted by Daniel Barenboim, chief conductor of the Berlin State Orchestra since 1992 named conductor for life by the orchestra in 2000.

Much has been said and written about Handel and Metastasio, and the composer’s supposed lack of interest in the librettos of the famous Roman poet. The fact is that Handel generally used adaptations of much older librettos which perhaps represented a bigger space of liberty for its work and conception of drama. Though Handel set to music only three librettos by Metastasio (Siroe, Poro and Ezio), we can hardly doubt he knew and recognised the qualities of their dramaturgy. Two of the three were successful and all of them gave him opportunity to write beautiful music.

Berlin reached their commercial peak – and their creative low point – with "Take My Breath Away" in 1986. While it's really not a bad song, the Top Gun hit removed the group from their new romantic roots, straying into adult contemporary territory. Master Series is an enjoyable career summary that collects nearly every track from Berlin that is worth collecting. Like many American new wave groups, Berlin was a superb singles band, but their albums were somewhat inconsistent. And their earliest work is the best, especially MTV classics like "Masquerade," "Dancing in Berlin," and "The Metro." On the naughty "Sex (I'm A…)," singer Terri Nunn shocked pop radio years before Madonna with its pornographic moans and groans and racy lyrics. "The Metro" encapsulates Berlin's affection for European new wave music with its somber, swirling synthesizers and sad, cold-as-ice vocals. The spiteful "No More Words" rips away the saccharine layers of "Take My Breath Away".

The narrative of Christ’s Passion as retold by Barthold Brockes (a dominant figure in early 18th-century German literature) is of such dramatic power that it was set to music by 13 different composers (including Handel, Keiser, and Mattheson)! Telemann’s version, premiered on 2 April 1716, became so famous that J. S. Bach, no immature youngster at the time, copied it out in full 23 years later . . . René Jacobs has striven to restore this quite extraordinary score to life in all its rich complexity.