The Symphony No. 3 by Gustav Mahler was written in 1896, or possibly only completed in that year, but composed between 1893 and 1896. It is his longest piece and is the longest symphony in the standard repertoire, with a typical performance lasting around 90 to 105 minutes. It was voted one of the ten greatest symphonies of all time in a survey of conductors carried out by the BBC Music Magazine.
Claudio Abbado began his career with Mahler and has been conducting the composer for his entire professional life. The Ninth and, above Orchestral Mahler 704 all, the Seventh, have consistently brought out the best in him.
Claudio Abbado's new version of Mahler's 7th (his Chicago recording was made over 20 years ago) is the product of a May 2001 concert in Berlin. It may not displace such outstanding 7ths as those by Bernstein, Gielen, Tilson Thomas, and Kondrashin, but Mahlerians will want it for its extraordinary orchestral playing and for the way Abbado captures the otherworldly qualities of this massive work. Even with his slightly faster than usual tempos, Abbado lends the huge first movement march a sense of foreboding and excels in fully projecting the weird, offbeat flavor of the Scherzo and the strangeness of the stream-of-consciousness night music movements.