The founding of the Berliner Philharmoniker on the first of May in 1882, is annually celebrated with a concert in a European city of cultural significance. For this newly released EUROPAKONZERT Blu-ray Disc all recordings were lovingly restored and converted to High Definition video. The Berliner Philharmoniker are joined for Mozart’s Motet and Mass on this recording by Christine Schäfer, whose unique timbre and performing style has more than once been likened to those of other vocal greats such as Irmgard Seefried and Elisabeth Schwarzkopf. This round of exceptional musicians is completed by Emanuel Ax, winner the Arthur Rubinstein International Piano Master Competition, as the soloist for the works of Chopin and Schumann.
It is extremely hard for any new recording to compete with the stunning 1967 Berlin account that Argerich made with the Berliner Philharmoniker under Abbado… Lang Lang certainly equals the boldness, power and communicative quality of Argerich’s account. Under the baton of Sir Simon Rattle the Berliner Philharmoniker is highly persuasive and sympathetic. Not for the first time the woodwind excel - marvellous. - Michael Cookson; www.musicweb-international.com
Karajan reportedly felt so strongly about his recordings of the Second Viennese School that he agreed to finance them himself when DG balked at picking up the tab. These are great performances, to be sure. Indeed, there may be some others that are comparable, but none are superior. The Berg pieces never have sounded so decadently beautiful, nor the Webern so passionately intense, or the Schoenberg so, well, just plain listenable. The Berlin Philharmonic strings make their usual luscious sounds, but here the winds, brass, and even percussion rise to the occasion as well. And sonically these were always some of Karajan’s best efforts. Essential, then, and a perfect way to get to know these three composers on a single disc.
Anton Bruckner's Symphony No. 4 in E-flat major, WAB 104, is one of the composer's most popular works. It was written in 1874 and revised several times through 1888. It was dedicated to Prince Konstantin of Hohenlohe-Schillingsfürst. It was premiered in 1881 by Hans Richter in Vienna to great acclaim. The symphony's nickname of Romantic was used by the composer himself. This was at the height of the Romantic movement in the arts as depicted, amongst others, in the operas Lohengrin and Siegfried of Richard Wagner.
In memoriam Maestro Maazel, Sony Classical re-releases the “Maazel Great Recordings” 30-CD Box to honour his great work. During his career, he conducted more than 150 orchestras in some 5,000 opera and concert performances. He served as general manager and artistic director at the Vienna State Opera and conducted the Bayreuth Festival in Germany, the first American to do so in both cases. He also served at the Radio Symphony of Berlin, the Bavarian Radio Symphony Orchestra, the Cleveland Orchestra and the Munich Philharmonic.