ATMA Classique presents Johann Sebastian Bach’s Goldberg Variations in an arrangement for strings and continuo by Bernard Labadie, performed by Les Violons du Roy under Labadie’s baton. This recording was originally released on the Dorian label in 2000.
Alexandre Tharaud has always defied categorization—a rare musician who dazzles equally in J.S. Bach as he does in The Beach Boys, and everything in between. Pieced together from recordings made over 30 years, this collection finds Tharaud steering us on a four-hour journey through some of the piano’s greatest solo works, thrilling and beautiful concerto movements, and an array of ravishing discoveries including the charming, post-Impressionist worlds of French composers Paul Le Flem and Jean Wiener. Elsewhere, the variety on display is breathtaking, the programming daring as Tharaud moves seamlessly from Satie to Bach, Fauré to Gershwin, even Morricone to Poulenc. It’s a bold move to place Debussy’s sumptuous “Prélude à l’après-midi d’un faune” after the crispness of Mozart’s “Alla Turca", for instance, but the contrast is spellbinding—as is every moment of this extraordinary piano treasury.
Rarely do we feel the presence of Bach so vividly on a recording as we do here with this set of Trio Sonata arrangements, performed by violins, viola da gamba, and harpsichord. What a perfect combination, thanks to Richard Boothby's settings and to the wonderfully synergistic interaction among these very experienced early music players–violinists Catherine Mackintosh (in her best recorded performance in a while) and Catherine Weiss, gambist Boothby, and harpsichordist Robert Woolley.
The collection gathers the best relaxing tunes from the piano repertoire performed by most eminent musicians: Piotr Anderszewski, Leif Ove Andsnes, Daniel Barenboim, Bertrand Chamayou, Aldo Ciccolini, Samson François, Hélène Grimaud, Stephen Kovacevich, Nicolai Lugansky, Maria-João Pires, Maurizio Pollini, Anne Queffélec, Alexandre Tharaud and Alexis Weissenberg.