Bernard Ross

"Swept Away" is the 14th studio album by the American entertainer Diana Ross, released on September 13, 1984 by RCA Records in North America and by Capitol Records in Europe. This album yielded several US hit singles, the most successful of which was "Missing You" (#10 Pop, #1 R&B, #4 AC). "Missing You", which became Ross' final top ten on the Billboard Hot 100 was also produced by former labelmate and collaborator Lionel Richie and was a tribute to late soul singer Marvin Gaye, Ross and Richie's former Motown Records label-mate. Other singles included the Daryl Hall and Arthur Baker-produced "Swept Away" (#19 Pop, #3 R&B, #1 Dance) and the Julio Iglesias duet, "All of You" (#19 Pop, #38 R&B, #2 AC, #1 Spain). All three of these singles were accompanied by popular music videos.

Cardboard sleeve reissue from Diana Ross featuring the high-fidelity SHM-CD format. Part of a ten-album Diana Ross SHM-CD cardboard sleeve reissue series featuring albums "Ain't No Mountain High Enough", "Everything Is Everything", "Surrender", "Touch Me In The Morning", "Last Time I Saw Him", "Diana Ross", "Baby It's Me", "Ross", "The Boss" and "Diana".

With over nine million copies sold worldwide, Diana remains the most successful solo release of Diana Ross' career, entirely written, performed and produced by Nile Rodgers and Bernard Edwards of Chic. The hit singles contained on Diana helped propel the album into the upper reaches of the charts, peaking at number two in the US and number 12 in the UK.

"Blue", originally titled "The Blue Album", is a studio album by American singer Diana Ross. Initially recorded between late 1971 and early 1972, it was released as Ross' 23rd studio album by Motown Records on June 20, 2006. Overseen by Ross' musical director Gil Askey, the jazz-flavoured album was originally conceived as a follow-up to her soundtrack to the 1972 American biographical drama film "Lady Sings the Blues" in which Ross starred. Berry Gordy and Motown subsequently decided to shelve the album, and Ross' next release was the more pop-orientated "Touch Me in the Morning" (1973) album. On the charts, "Blue" peaked at #2 on the US Billboard Top Jazz Albums, also logging a single week on the Billboard 200 at #146. Its final sales figure was slightly higher than 100,000 US copies.

„Diana Ross would probably be offended by anyone who called her 1980 smash Diana a comeback, but let's face it – after the flop of The Wiz, and the way that the disco revolution steamrollered so many of her Motown compatriots' careers, that's exactly what it was.