As part of a 9 DVD series from Deutsche Grammophon, Leonard Bernstein rehearses Symphonies 5 and 9, and Das Lied von der Erde
Leonard Bernstein chose to record this collection containing Brahm's orchestral symphonic music with the Vienna Philharmonic because of their homogeneous sound. The musicians are similarly schooled and, most important, the majority of their instruments are uniquely handmade: many of them dating back to the era of Brahms. In a strange (but very real) way, this collection presents Brahms played on original instruments, performed in an historically informed fashion. You cannot fail to be impressed how right everything sounds. These are Bernstein's romantic vision of Brahm's symphonies and no one does the style better. Strongly recommended.
Leonard Bernstein chose to record this collection containing Brahm's orchestral symphonic music with the Vienna Philharmonic because of their homogeneous sound. The musicians are similarly schooled and, most important, the majority of their instruments are uniquely handmade: many of them dating back to the era of Brahms. In a strange (but very real) way, this collection presents Brahms played on original instruments, performed in an historically informed fashion. You cannot fail to be impressed how right everything sounds. These are Bernstein's romantic vision of Brahm's symphonies and no one does the style better. Strongly recommended.
Like the growth of the cult of Christ, the growth of the cult of Mahler started with the man himself performing his works whenever and wherever he had the chance. Like Christ, Mahler was followed by true believers who had known him and who proselytized for him among the unbelievers with the fervor of musical Pentecostals. The true believers were followed by those who had never known the man himself but whose belief was therefore all the more passionate and subjective. And thus it was that the faith spread from Mahler to Walter, Klemperer, and Mengelberg; and then on to Mitropoulos, Bernstein, Kubelik, Solti, and Haitink; then on to Abbado, Bertini, Boulez, de Waart, Inbal, Maazel, and Rattle, spreading from the true believers to the passionate believers of the true believers to those who still keep the belief but whose faith is more reason than emotion, more intellect than spirit, more nuance than rapture.
You will probably be as incredulous as I was to learn that the greatest cycle of Mahler symphonies comes not from any of the usual suspects - Abbado, Bernstein, Chially, Haitink, Kubelik, Rattle, Sinopoli, Solti, Tennstedt - but from the unsung Gary Bertini, who spent the better part of his career as music director of the Cologne Radio Symphony Orchestra. Unlike any of those more publicized sets, each of which includes a misfire or two, Bertini is consistently successful from first to last; his performance of each of these works can stand comparison with the very best available.
Fans of Leonard Bernstein will not want to miss the chance to snap up this limited edition 60-CD set, Bernstein Symphony Edition. With a list price of just over two dollars per disc, it's a bargain not to be missed. What's most impressive about these recordings of well over 100 symphonies made between 1953 and 1976, almost all of which feature the New York Philharmonic, is the scope and depth of Bernstein's repertoire. The complete symphonic works of many of the great symphonists are here.
Fans of Leonard Bernstein will not want to miss the chance to snap up this limited edition 60-CD set, Bernstein Symphony Edition. With a list price of just over two dollars per disc, it's a bargain not to be missed. What's most impressive about these recordings of well over 100 symphonies made between 1953 and 1976, almost all of which feature the New York Philharmonic, is the scope and depth of Bernstein's repertoire.