Best Nat King Cole

This fine complement to Capitol's earlier collection of Nat "King" Cole Trio vocals (1942-1946) delivers another generous selection of the singer's prime early work. And while it's not as packed with hits as the prior disc is ("Route 66," "Sweet Lorraine," "Straighten Up and Fly Right"), the second volume still contains a nonstop array of Cole's near-perfect singing and tasty piano work. Along with smashes like "Too Marvelous for Words," the collection takes in the usual Cole mix of glowing ballads ("Tis Autumn"), playful novelties ("Ooh Kickeroonie"), and svelte swingers ("When I Take My Sugar to Tea")…

The Jazz Club series is an attractive addition to the Verve catalogue. With it's modern design and popular choice of repertoire, the Jazz Club is not only opened for Jazz fans, but for everyone that loves good music.
For a mild-mannered man whose music was always easy on the ear, Nat King Cole managed to be a figure of considerable controversy during his 30 years as a professional musician. From the late '40s to the mid-'60s, he was a massively successful pop singer who ranked with such contemporaries as Frank Sinatra, Perry Como, and Dean Martin. He shared with those peers a career that encompassed hit records, international touring, radio and television shows, and appearances in films…

Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as "I'm an Errand Girl for Rhythm," "Frim Fram Sauce," and "Hit That Jive Jack." Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber "I'm Through With Love" and "If I Had You." Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of "Hit That Jive Jack," although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall's vocal on "If I Had You," and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds.

Just One of Those Things is a theme album comparable to one of Frank Sinatra's uptempo swing albums of the same period (Come Fly with Me, etc.), and employs the same arranger/conductor, Billy May. Nat King Cole is a bit less effective than Sinatra at uptempo material; he tends to undersing these sprightly standards, and May saves his dramatic horn charts and percussion shots for moments when Cole is away from the microphone. Even so, by the fifth track, "These Foolish Things Remind Me of You," May has retreated to ballad time, and though his embellishments threaten to break out behind the singer, Cole gives an assured, unhurried performance…

Nat "King" Cole's 16 trio recordings for Decca have been reissued many times (including on this CD), and rightfully so. Cole was already one of the top swing pianists by 1940, his vocal style (best displayed on his first hit "Sweet Lorraine") was quite recognizable, and his trio with guitarist Oscar Moore and bassist Wesley Prince had a memorable sound. Cole's Decca records (his first for a major label) were a breakthrough for Nat, although his Capitol recordings (which started in 1943) really paved the way toward major success. In addition to "Sweet Lorraine," highlights of this fine CD include "Honeysuckle Rose," "I Like to Riff," and "Hit That Jive, Jack" (which has the Trio's most famous group vocal).