Just a generation ago, posterity hadn't quite made up its mind about Franco Corelli. Corelli was an operatic oddity, a self-trained singer with movie star looks who largely learned his craft from listening to old records of his predecessors. Corelli made up for what he may have lacked in conventionally trained, "beautiful" tone with an approach that emphasized power and electric energy over all, and gradually rose through the ranks of tenors to become a major star of Italian opera. This EMI collection, The Very Best of Franco Corelli, concentrates its focus on recordings Corelli made in the 1960s during the height of his popularity. As these selections are "bleeding chunks" drawn from recordings of complete operas such as Pagliacci, Rigoletto, Tosca, and others, this is kind of an odd sampling of Corelli.
RCA Red Seal is a classical music label and is now part of Sony Masterworks. The Red Seal label was begun in 1902 by the Gramophone Company in the United Kingdom and was quickly adopted by its United States affiliate, the Victor Talking Machine Company, and its president, Eldridge R. Johnson. Distinctive, red paper information labels affixed to the centre of the two affiliated companies' black shellac discs inspired the name. Led by the work of the great tenor Enrico Caruso, Victor's Red Seal Records changed the perception of recorded music.
The "100 Years of Italian Opera" series released by Opera Rara is unique in the annals of opera recordings. However, this installment is especially exciting as it documents the evolution of Italian opera during the 1820's, the decade when romanticism truly began to come into its own on the operatic stage. Opera Rara has lovingly compiled a variety of arcana written by composers famous and forgotten. Included is everything from overtures to arias, duets, ensembles, and entire scenes.
A unique 8-CD collection comprising nine hours of the best loved classical music!
The Royal Opera is a company based in central London, resident at the Royal Opera House, Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, it was known by that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet.
Matthew Best began his career as a bass, singing at Covent Garden and at other leading operatic venues throughout the world. But since the mid-'80s he has turned increasingly toward conducting, recording many choral/orchestral and operatic works for Hyperion Records. Over the years his singing range has changed as well, placing him in the category of bass-baritone and including roles such as Scarpia and Amfortas.
Seiji Ozawa has been music director of the Vienna State Opera since the 2002-03 season and is an annual and favored guest of the Vienna Philharmonic Orchestra. Prior to his Vienna State Opera appointment he served as music director of the Boston Symphony Orchestra for twenty-nine seasons (1973-2002)—the longest-serving music director in the orchestra’s history…