Betrayal (1983

The Final Cut is the twelfth studio album by English rock band Pink Floyd, released on 21 March 1983 in the United Kingdom and on 2 April in the United States through Harvest and Columbia Records. It comprises unused material from the previous Pink Floyd record, The Wall (1979), alongside new material recorded throughout 1982. The Final Cut was the last Pink Floyd album to feature founding member Roger Waters, who departed in 1985. It is also the only Pink Floyd album not to feature founding member and keyboardist Richard Wright, who was fired during the Wall sessions. The recording was plagued by conflict; guitarist David Gilmour felt many of the tracks were not worthy of inclusion, but Waters accused him of failing to contribute material himself. Drummer Nick Mason's contributions were mostly limited to sound effects. Waters planned the album as a soundtrack for the 1982 film adaptation of The Wall.

The Final Cut is the twelfth studio album by English progressive rock group Pink Floyd. It was released on 21 March 1983 by Harvest Records in the United Kingdom, and several weeks later by Columbia Records in the United States. The Final Cut is Pink Floyd's last studio album to include founding member, bassist and songwriter Roger Waters, and their only album on which he alone is credited for writing and composition. It is also the only Pink Floyd album that does not feature keyboardist Richard Wright. Waters originally planned The Final Cut as a soundtrack album for the 1982 film Pink Floyd – The Wall. With the onset of the Falklands War, he rewrote it as a concept album, exploring what he considered the betrayal of his father, who died serving in the Second World War. Most of its lyrics are sung by Waters; lead guitarist David Gilmour provides vocals on only one track. The packaging, also designed by Waters, reflects the album's war theme. The Final Cut was recorded in eight British studios from July to December 1982. Its production was dominated by increasing tensions, particularly between Waters and Gilmour. It reached the top of the UK Albums Chart, but received mixed reviews.

The Final Cut is the twelfth studio album by English progressive rock group Pink Floyd. It was released on 21 March 1983 by Harvest Records in the United Kingdom, and several weeks later by Columbia Records in the United States. The Final Cut is Pink Floyd's last studio album to include founding member, bassist and songwriter Roger Waters, and their only album on which he alone is credited for writing and composition. It is also the only Pink Floyd album that does not feature keyboardist Richard Wright. Waters originally planned The Final Cut as a soundtrack album for the 1982 film Pink Floyd – The Wall. With the onset of the Falklands War, he rewrote it as a concept album, exploring what he considered the betrayal of his father, who died serving in the Second World War. Most of its lyrics are sung by Waters; lead guitarist David Gilmour provides vocals on only one track. The packaging, also designed by Waters, reflects the album's war theme. The Final Cut was recorded in eight British studios from July to December 1982. Its production was dominated by increasing tensions, particularly between Waters and Gilmour. It reached the top of the UK Albums Chart, but received mixed reviews.

One of two solo stars to spring from the ashes of the '70s all-girl hard rock band the Runaways, Lita Ford has long been a more frustrating, contradictory proposition for critics than former colleague Joan Jett. Ford is subtly feminist in her musical approach, displaying guitar heroics on the level of any male metal hero; the mere fact of her existence in the otherwise testosterone-driven heavy metal genre has made her a hero to some, but her persona has often been criticized as calculated to appeal to male adolescent sexual fantasies, simply embodying the standard wild-girl stereotypes of many male metal artists' lyrics.

"Star Wars: The Ultimate Digital Collection" features a bundle of the six original soundtracks available for the first time as high definition downloads. The most acclaimed and enduring film music in Hollywood history, the original soundtracks of "Star Wars Episodes I-VI" have been reissued by Sony Classical. All composed by the legendary five-time Oscar-winning composer, John Williams, this unique collection is being reissued after the latest chapter in the saga, "Star Wars: The Force Awakens", opens in theaters.

"Star Wars: The Ultimate Digital Collection" features a bundle of the six original soundtracks available for the first time as high definition downloads. The most acclaimed and enduring film music in Hollywood history, the original soundtracks of "Star Wars Episodes I-VI" have been reissued by Sony Classical. All composed by the legendary five-time Oscar-winning composer, John Williams, this unique collection is being reissued after the latest chapter in the saga, "Star Wars: The Force Awakens", opens in theaters.

Jah Wobble is perhaps the only man who could safely assume the mantle of the UK's King Of Dub. 'I Could Have Been A Contender' is the first true major retrospective that chronicles the entirety of Jah Wobble's dazzling career. Includes three PIL classics, 'Public Image', 'Poptones', & 'Death Disco'. Remastered three CD set featuring 37 tracks total.