Better Man

A Better Tomorrow (Chinese: 英雄本色; Mandarin Pinyin: Yīngxióng běnsè; Jyutping: Jing1 hung4 bun2 sik1; literally "True Colors of a Hero") is a 1986 Hong Kong action film which had a profound influence on the Hong Kong film-making industry, and later on an international scale. Directed by John Woo, it stars Chow Yun-fat, Ti Lung and Leslie Cheung. Although the movie was made with a tight budget and was relatively unknown until it went on screen due to virtually no advertising, it broke Hong Kong's box office record and went on to become a blockbuster in Asian countries. It is highly regarded, ranking at #2 of the Best 100 Chinese Motion Pictures. Its success also ensured the sequel A Better Tomorrow 2, also directed by Woo, and A Better Tomorrow 3: Love & Death in Saigon, a prequel directed by producer Tsui Hark.

Upon the death of his brother, Larry Talbot returns from America to his ancestral home in Wales. He visits a gypsy camp with village girl Jenny Williams, who is attacked by Bela, a gypsy who has turned into a werewolf. Larry kills the werewolf but is bitten during the fight. Bela's mother tells him that this will cause him to become a werewolf at each full moon. Larry confesses his plight to his unbelieving father, Sir John, who then joins the villagers in a hunt for the wolf. Larry, transformed by the full moon, heads for the forest and a fateful meeting with both Sir John and Gwen.

"The 4th Man" was Paul Verhoeven's last European film before directing Hollywood movies. His later film "Basic Instinct" was a loose remake of this film; Verhoeven considers "The 4th Man" to be a spiritual prequel. The film ranked #93 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010.
A man who has been having visions of an impending danger begins an affair with a woman who may lead him to his doom.

An ex-soldier faces ethical questions as he tries to earn enough to support his wife and children well.

Set in 1960 New York, MAD MEN reveals the lives of the ruthlessly competitive men and women of Madison Avenue’s “Golden Age”, where key players make the art of the sell while their private lives get sold. And no one plays the game better than Don Draper (Golden Globe®-winner Jon Hamm), the biggest ad man – and ladies man in the business.

Michael Dorsey (Dustin Hoffman), a brilliant but troublesome New York actor, has managed to alienate every producer on both coasts. Michael's agent George Fields (Sydney Pollack) can't even get his client a commercial since Michael complained that the tomato he was playing wasn't properly motivated. "You were a tomato!" screams George in desperation, adding that Michael is so obnoxious that he will probably never work again. Dorsey thinks otherwise; when he hears of an opening on a popular soap opera, he applies for the job–even though the job is for a woman. Posing as "Miss Dorothy Michaels," Michael wins the part and becomes a widely-known actress. Yet complications ensue when Michael falls for his co-star Julie (Jessica Lange, in an Oscar-winning performance) but, as Dorothy, is courted by Julie's widowed father (Charles Durning)…..

With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts, and James "Rhodey" Rhodes at his side, must forge new alliances - and confront powerful enemies.

Ulrik is reluctantly let out of prison after serving 12 years for murder. He has to cope with his gang, his ex, a few women -and a snitch. His son has a fiancé. Her family doesn't approve of murder. They have a nursery, they have principles. Ulrik is a somewhat gentle man. But how gentle can you be? ..and he's losing his hair…

From a cell, a man tells us he has planned the perfect bank robbery; he invites us to watch. An efficient gang enters a Manhattan bank, locks the doors, and takes hostages. They work deliberately, without haste. Detective Frazier is assigned to negotiate, but half his mind is occupied with the corruption charges he is facing. The bank's president has something to protect in a safe deposit box, so he brings in Madaline, a high-power broker with a hidden agenda. With an army of police surrounding the bank, the thief, the cop, and the plutocrat's fixer enter high-stakes negotiations. Why are the robbers asking for a plane, if they are so competent and they know they won't get one? Why aren't they in more of a hurry? If the job's perfect, why is the thieves' leader in a cell?