Beyond O.k.



The Queers are an American Punk Rock band formed in 1982, in Portsmouth, New Hampshire. The Queers play pop punk as it was originally intended. Raw, fast with infectious beats and catchy, light lyrics. Technically, they play a Ramones-derived style of Punk Rock. Much like the Ramones, common lyrical themes are girls, idiots, alcohol and having fun. Musically the band deviates slightly from the driving rhythm guitar sound of the Ramones and intensify their songs with bubblegum vocal harmonies, handclaps, keyboards and melodic guitar solos. Their style a multiple times has been described as "The Ramones meets The Beach Boys". The band also well known for the variety of cover versions they include on their records and in live appearances. Consistently touring the USA, Europe, Japan and Australia the Queers have gained a large cult following in the punk underground. Today, The Queers have remains the last active group from the "Holy Trinity of Old School Pop Punk"…

Beyond Sensory Experience - 5 Studio Albums (2003-2008)  Music

Posted by gribovar at Nov. 11, 2014
Beyond Sensory Experience - 5 Studio Albums (2003-2008)

Beyond Sensory Experience - 5 Studio Albums (2003-2008)
EAC Rip | FLAC (image+.cue+log) - 1,22 GB | MP3 CBR 320 kbps (LAME 3.93) - 690 MB | Covers included
Genre: Ambient | RAR 3% Rec. | Label: Old Europa Cafe, Cold Meat Industry

Beyond Sensory Experience is a dark ambient music project created by Drakh and K. Meizter in Uppsala, Sweden 2001. The foundation of Beyond Sensory Experience developed during long intoxicated discussions about the correlation between numbers, music and life. These three areas would serve as the corner stones for the creation of the Beyond Sensory Experience philosophy. During 2002 episodes of different musical contexts were tried out until the final concept evolved in collaboration with the Italian label Old Europa Café. "Tortuna", which is the first album of a trilogy covering the three basic areas, is the result of an intense creative process performed in the nordic absence of sun and was released in early 2003…
Electronic device architectures for the nano-CMOS era: from ultimate CMOS scaling to beyond CMOS devices

Electronic device architectures for the nano-CMOS era: from ultimate CMOS scaling to beyond CMOS devices By Simon Deleonibus, Simon Deleonibus
2008 | 440 Pages | ISBN: 9814241288 | PDF | 25 MB
Steve Hackett - Beyond The Shrouded Horizon (2011) [2CD Limited Edition]

Steve Hackett - Beyond The Shrouded Horizon (2011) [2CD Limited Edition]
EAC Rip | FLAC (image+.cue+log) - 517 MB | MP3 CBR 320 kbps (LAME 3.93) - 204 MB | Covers - 102 MB
Genre: Progressive Rock | RAR 3% Rec. | Label: InsideOut Music (0563-2)

At 61, Steve Hackett continues to fly the flag of early Genesis-style British progressive rock on his ambitious 2011 studio album, Beyond the Shrouded Horizon. He reminds listeners of his majestic approach to electric guitar playing at the outset on "Loch Lomond," and then alternates the heavy rock playing with delicate acoustic work, starting with the brief "Wanderlust," actually an introduction to the longer "Til These Eyes." Some of the songs have vocals with ethereal lyrics, on which Hackett's modest singing voice is supported by several others, including that of his brother, co-songwriter, and flute player John Hackett. A Middle Eastern flavor is added on "Waking to Life" (with guitarist Amanda Lehmann on vocals), while "Looking for Fantasy" has a stately, classical feel, with Hackett contributing nylon-string guitar, leading into the Renaissance-styled "Summer's Breath"…
VA - Congo Funk! - Sound Madness from the Shores of the Mighty Congo River (Kinshasa/Brazzaville 1969-1982) (2024)

VA - Congo Funk! - Sound Madness from the Shores of the Mighty Congo River (Kinshasa/Brazzaville 1969-1982) (2024)
EAC Rip | FLAC (tracks+log+.cue) - 391 Mb | MP3 CBR 320 kbps - 179 Mb | 01:17:51
Funk, Afrobeat | Label: Analog Africa

The making of Congo Funk!, our long-awaited journey to the musical heart of the African continent, took the Analog Africa Team on two journeys to Kinshasa and one to Brazzaville. Selected meticulously from around 2000 songs and boiled down to 14, this compilation aims to showcase the many facets of the funky, hypnotic and schizophrenic tunes emanating from the two Congolese capitals nestled on the banks of the Congo River.
Karl-Heinz Schütz & Maria Prinz - Brahms: Works (Arr. K.H. Schütz for Flute & Piano) (2021)

Karl-Heinz Schütz & Maria Prinz - Brahms: Works (Arr. K.H. Schütz for Flute & Piano) (2021)
WEB FLAC (tracks) - 266 Mb | MP3 CBR 320 kbps - 164 Mb | Digital booklet | 01:11:16
Classical | Label: Naxos Records

Brahms had already decided to retire as a composer when, on a journey to Meiningen in 1891, he was inspired and challenged by clarinettist Richard Mühlfeld’s beautiful playing. The two Sonatas, Op. 120 are part of a late flowering that resulted in some of Brahms’s finest chamber music. Brahms himself explored these pieces beyond the clarinet, and Karl-Heinz Schütz’s arrangements are based on the composer’s own alternative versions, seeking out the ideal of two equally matched instruments in constant dialogue. Also included is a selection of ‘songs without words’, further expanding the flute repertoire with arrangements of these much-loved Lieder.
Karl-Heinz Schütz & Maria Prinz - Brahms: Works (Arr. K.H. Schütz for Flute & Piano) (2021) [Official Digital Download 24/96]

Karl-Heinz Schütz & Maria Prinz - Brahms: Works (Arr. K.H. Schütz for Flute & Piano) (2021)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 71:16 minutes | 1,25 GB
Classical | Label: Naxos Records, Official Digital Download

Brahms had already decided to retire as a composer when, on a journey to Meiningen in 1891, he was inspired and challenged by clarinettist Richard Mühlfeld’s beautiful playing. The two Sonatas, Op. 120 are part of a late flowering that resulted in some of Brahms’s finest chamber music. Brahms himself explored these pieces beyond the clarinet, and Karl-Heinz Schütz’s arrangements are based on the composer’s own alternative versions, seeking out the ideal of two equally matched instruments in constant dialogue. Also included is a selection of ‘songs without words’, further expanding the flute repertoire with arrangements of these much-loved Lieder.
Baroque Bohemia & Beyond (5 CD) (2003-2005, 2007, 2010) [Re-Post]

Baroque Bohemia & Beyond (5 CD) (2003-2005, 2007, 2010)
Classical | EAC & FLAC (Img+CUE+LOG) | Complete Covers | 1,92 GB
Label: Alto

The modern-instrument ensemble of the Czech Chamber Philharmonic Orchestra plays stylishly and with commitment… For anyone with an interest in the music of this time and place, especially as several of these pieces are here receiving their very first recordings. –MusicWeb International
VA - Congo Funk! - Sound Madness from the Shores of the Mighty Congo River (Kinshasa/Brazzaville 1969-1982) (2024) [24/44]

VA - Congo Funk! - Sound Madness from the Shores of the Mighty Congo River (Kinshasa/Brazzaville 1969-1982) (2024)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 77:49 minutes | 741 MB
Funk, Afrobeat | Label: Analog Africa, Official Digital Download

The making of Congo Funk!, our long-awaited journey to the musical heart of the African continent, took the Analog Africa Team on two journeys to Kinshasa and one to Brazzaville. Selected meticulously from around 2000 songs and boiled down to 14, this compilation aims to showcase the many facets of the funky, hypnotic and schizophrenic tunes emanating from the two Congolese capitals nestled on the banks of the Congo River.

VA - American Baroque: Chamber Pop & Beyond 1967-1971 (2025)  Music

Posted by Rtax at March 26, 2025
VA - American Baroque: Chamber Pop & Beyond 1967-1971 (2025)

VA - American Baroque: Chamber Pop & Beyond 1967-1971 (2025)
EAC Rip | FLAC (tracks, cue, log) - 403 MB | MP3 CBR 320 kbps - 169 MB
1:11:08 | Sunshine Pop, Baroque Pop | Label: Ace

The heyday of American baroque pop – or chamber pop - ran from 1966 to the turn of the seventies. It used string quartets, harpsichords and woodwinds to create a summer-into-autumn melancholy that was quite new, and quite far removed from rock’n’roll as Eddie Cochran would have known it. Baroque pop’s musicians often came from a folk background, with an affinity for acoustic instrumentation. Linda Ronstadt's first band the Stone Poneys had introduced the autoharp to their line-ups in 1965, while the likes of Bonnie Dobson and Nico experimented with a string quartet’s, searching for different, post-electric Dylan directions.