Bill Charlap Trio

It would be easy–too easy, in fact–to compare pianist Bill Charlap to the great Bill Evans. Easy because Charlap has the same kind of knack for spacious lyricism and impressionistic chordal harmonies that characterize the late jazz icon, and his interplay on Written in the Stars with his amazing rhythm team of bassist Peter Washington and drummer Kenny Washington recalls Evans's telepathic improvisation with Paul Motian and Scot LaFaro. Charlap treats the classic American songbook the way few young pianists treat it. Charlap, 33 years old as Stars comes to market, plays classics like "In the Still of the Night," "On a Slow Boat to China," and "Blue Skies" with such deep affinity that it's hard to believe he wasn't sitting right there when these tunes were written. His take on "Blue Skies" starts with a gorgeous rubato version of the tune's seldom-heard verse, weaves contrapuntal harmonies over the tune's chorus, and features some dazzling interplay between Charlap and bassist Washington–a recurring phenomenon, as the trio's members show remarkable empathy with each other on every track. In an age with no shortage of promising young pianists, Blue Note must have felt there was something special about Bill Charlap. One listen to Written in the Stars assures us that they made the right call. –Ezra Gale

As a unit, this must be one of the best piano trios ever, and certainly as instantly recognisable as any of its great predecessors. Charlap’s touch on the keyboard is light, almost stealthy, even when playing full chords, but always firm, clear and beautifully articulated. With the spirited support of bassist Peter Washington and drummer Kenny Washington (famously unrelated), the total effect is just perfect. As always, Charlap’s playing provides convincing proof that it is still possible to create fresh but pertinent treatments of well-known standard songs. The son of a songwriter and a singer, he has an instinctive feel for the idiom. His versions here of I’ll Remember April and A Sleepin’ Bee are masterly.

This is the sort of album that gives the mainstream a good name. It's wonderfully recorded, especially at the low end of the spectrum: Peter Washington's bass and Kenny Washington's kick drum speak with authority yet never overwhelm Charlap's piano. The trio's approach is distinctive, marked by tight and fairly elaborate arrangements, thrilling shifts in tempo, and wholly surprising modulations and harmonic choices on Charlap's part. The overall classicism of the group's sound recalls Tommy Flanagan. Charlap is at his most animated on the opener, a brisk reading of Cole Porter's "In the Still of the Night." He's more laid-back and deliberate on midtempo tracks like Johnny Mercer's "Dream" and the Gershwins' "Lorelei," where the Washingtons' bone-deep sense of swing really comes to the fore…

Pianist Bill Charlap returns to Blue Note with Street of Dreams, a stunning new album featuring his revered longstanding trio with bassist Peter Washington and drummer Kenny Washington. Street of Dreams is a celebration of New York City as it emerges from an unprecedentedly challenging period, as reflected in the eight impeccably curated songs on the album, a delightful mix of jazz classics and Songbook favorites. It’s also a reflection of the literal and metaphorical road traveled together by Charlap and the Washingtons during nearly 25 years as a trio. During that time they’ve become so deeply attuned that on Street of Dreams they seem to breathe as one, whether setting off into rollicking swing or fragile balladry. The album is thus a celebration of these three eloquent voices reconvening, so it’s apt that this homecoming takes place on Blue Note, which released so many of the trio’s acclaimed recordings throughout the first decade of this millennium including Written In The Stars, Stardust, Somewhere: The Songs of Leonard Bernstein, and Live at the Village Vanguard.