Bill Evans Some Other Time

Inspired by the music of the extraordinary pianist Bill Evans, the Pinheiro - Ineke - Cavalli Trio explores in this new album musical landscapes constructed from delicate arrangements and intricate musical interaction. In this vibrant recording, the trio reaches a new level of maturity and consolidated artistry that appears in the way the group develops musical discourse and improvisation. The guitar/bass/drums trio is here reinvented by the hand of these talented and experienced musicians.

Son of the Blues, Jazz is one of the deepest expressions in music. With improvisation as its foundation, the genre includes multiple artists that are embedded in gold letters in the history of popular music. Golden Jazz Box is a celebration of that legacy, presenting the 6 best albums of each one of the genre's biggest icons: Miles Davis, John Coltrane, Chet Baker, Dave Brubeck, Bill Evans y Duke Ellington. Golden Jazz Box works as a true musical encyclopedia, the definitive collection of these wonderful singers in one six-CD box. Golden Jazz Box is a fantastic album, suitable for any moment and mood and an opportunity to get closer to these timeless artists.

Bill Evans - The Complete Bill Evans On Verve (1997) {18 CD Set Verve 314 527 953-2 rec 1962-1969}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 6.92 Gb | MP3 @320 -> 2.96 Gb
Full Artwork @ 600 dpi (jpg) -> 151 Mb | 5% repair rar
© 1962-69, 1997 Verve / PolyGram | 314 527 953-2
Jazz / Post Bop / Modal Music / Piano

THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.