What separated this from the average good Bill Evans date was the inclusion of Shelly Manne on drums, who inventively pushed and took unexpected chances. This was Eddie Gomez' (bass) debut release with Evans (piano) and it was quite impressive. There were numerous takes at this session and judging from Chuck Briefer's liners it might be interesting to hear them released.
Bill Evans' 1963 album Plays the Theme from The V.I.P.s and Other Great Songs features the legendary pianist eschewing his more introspective sound for a commercial pop approach. Working with an orchestral background courtesy of conductor/arranger Claus Ogerman (uncredited here), Evans delves into songs by such writers as Henry Mancini, Johnny Mercer, Elmer Bernstein, Miklós Rózsa, and others. While the album has more to do with light easy listening than deep harmonic jazz exploration, there is much to enjoy here for fans of jazz-inflected '60s pop.
Danish native Jacob Fischer is a rising star and one of the most in-demand jazz guitarists in Scandinavia and Europe. Born in 1967, the self-taught guitarist began working as a professional when he was 17 years old, and since then has participated in over 200 recordings. His fifth album as a leader, and his debut from the Japanese label Venus Records, is an ambitious project: A tribute to Bill Evans with a simple trio with Martin Wind on bass and Tim Horner on drums.
This release presents two rare performances by Bili Evans in Northern Europe. The initial three tuner, appearing here on CD for the first time ever, were recorded during an informai visit to the house of Finnish composer Ilkka Kuusisto in Helsinki, Finland. The rest of the tracks present a hard to find concert in Lund, Sweden, previously available only on a limited Japanese edition.
Danish native Jacob Fischer is a rising star and one of the most in-demand jazz guitarists in Scandinavia and Europe. Born in 1967, the self-taught guitarist began working as a professional when he was 17 years old, and since then has participated in over 200 recordings.
His fifth album as a leader, and his debut from the Japanese label Venus Records, is an ambitious project: A tribute to Bill Evans with a simple trio with Martin Wind on bass and Tim Horner on drums. Their efforts are a success on many levels. On some tracks, they succeed because they use completely different approaches from those used by Evans in his well-known recorded performances. Examples of these include the unsentimental, hard-boiled approach of the opening track and the imaginative collective improvisations on "Nardis"…
Modern Art is the prelude recording for Art Farmer prior to his partnership with Benny Golson in the Jazztet, and also foreshadows the classy, tasteful inventiveness that group brought to the modern jazz world two years after this 1958 session. Pianist Bill Evans is in here, just before his pivotal work with Miles Davis on the classic album Kind of Blue, and was the table setter for McCoy Tyner's membership in the Jazztet. Brother Addison Farmer on bass and the great drummer Dave Bailey round out this sterling quintet that specializes in playing music with a subtle approach, which is neither tame nor conservatively lazy. Included on this date is the great Junior Mance tune "Jubilation," perfectly understated in a light gospel, soul-jazz, tuneful melody with both horns wonderfully matched up in balanced unison, side by side.