Bill Haley

Bill Haley & His Comets were an American rock and roll band that was founded in 1952 and continued until Haley's death in 1981. The band, also known by the names Bill Haley and The Comets and Bill Haley's Comets (and variations thereof), was the earliest group of white musicians to bring rock and roll to the attention of white America and the rest of the world. From late 1954 to late 1956, the group placed nine singles in the Top 20, one of those a number one and three more in the Top Ten. Bandleader Bill Haley had previously been a country music performer; after recording a country and western-styled version of "Rocket 88", a rhythm and blues song, he changed musical direction to a new sound which came to be called rock and roll.

Bill Haley & His Comets were an American rock and roll band, founded in 1952 and continued until Haley's death in 1981. The band, also known as Bill Haley and the Comets and Bill Haley's Comets (and variations thereof), was the earliest group of white musicians to bring rock and roll to the attention of America and the rest of the world. From late 1954 to late 1956, the group placed nine singles in the Top 20, one of those a number one and three more in the Top Ten.

Bill Haley & His Comets were an American rock and roll band, founded in 1952 and continued until Haley's death in 1981. The band, also known as Bill Haley and the Comets and Bill Haley's Comets (and variations thereof), was the earliest group of white musicians to bring rock and roll to the attention of America and the rest of the world. From late 1954 to late 1956, the group placed nine singles in the Top 20, one of those a number one and three more in the Top Ten. Bandleader Bill Haley had previously been a country music performer; after recording a country and western-styled version of "Rocket 88", a rhythm and blues song, he changed musical direction to a new sound which came to be called rock and roll.

The rating of this six-CD set is no joke - yes, Bill Haley was supposed to be an irrelevant artist during the 1960s, but he did, in fact, generate well over 100 good and far-better-than-decent sides that are contained in this set. No, there's nothing remotely as earth-shattering or important as his best work for Decca from 1954-1955, and even most hardcore fans of that material may find the cost of this set difficult to justify; but take it from someone who shelled out for this box, it's worth a LOT more than you'd ever guess without hearing it - Haley and his band still knew how to work a song, as demonstrated several dozen times on this set. The title is actually a bit misleading, since the sides that Haley recorded for Warner Bros. Records amount to less than a third of the contents of this box…

Any casual listener looking over this 132-track five-CD set would probably conclude that it was far more Bill Haley than they need bite off in one gulp - and they'd be right, as casual listeners. For the serious rock & roll enthusiast, as well as the hardcore Bill Haley fan, however, there's a wealth of worthwhile material to be found here, some of which will amaze even those fans: a dozen great songs and 55 or so more that are good, and another 20 that are fascinating mistakes, and that's a good average for an artist who is generally thought of as having generated just a handful of important records. What Haley had most of all was a distinctive sound - between the backbeat, the country boogie roots, and the R&B sources - that pretty much defined white rock & roll for almost its first two years (until Elvis Presley and Carl Perkins emerged in the spring of 1956); the first two CDs here offer that sound in abundance…