Bill Withers

By the time Bill Withers made this, his debut recording, he'd already served for many years in the US Navy, had a job as a milkman and installed toilets in jets for American airplane construction companies. All the while, he bombarded record companies with self-produced demo tapes that landed in the dustbin. In 1971 came his breakthrough when the successful producer Booker T. Jones hauled him onboard and sent him into the studio with guitarist Stephen Stills, drummer Al Jackson and bass player Donald "Duck" Dunn. In his debut album, Withers demonstrates his universal, mature competence as a singer, composer and performer, which was hardly surpassed in his later recordings.

More generous than the 20-track The Very Best Of, Essential Bill Withers is a 34-track anthology that features all of Withers' notable singles, along with other highlights from the singer's albums for the Sussex and Columbia labels, from 1971's Just as I Am through 1985's Watching You Watching Me. This is a fine and extensive introduction to Withers' catalog, featuring "Ain't No Sunshine," "Lean on Me," "Use Me," "Lovely Day," and "The Same Love That Made Me Laugh." He also recorded scads of excellent deep album cuts that could not fit. In 2013, the lovingly packaged The Complete Sussex and Columbia Albums Collection – released the previous year – retailed for roughly three times the price of this set. Anyone with a serious interest in Withers' work should seriously consider that option, though it doesn't contain "Just the Two of Us," the big hit from Grover Washington, Jr.'s Winelight album.

Bill Withers performs a heartfelt song expressing his love for his partner and his dreams for their future together. He also shares his thoughts on the struggles and hardships of being a black man in America. Withers delivers a powerful spoken word performance, reflecting on the pain and frustration felt by the black community and encouraging the audience to remember the struggles and stand up against oppression. The episode also features a conversation between Bill Withers and poet May Jackson about love, urban life, and black consciousness. Additionally, Bill Withers shares memories of his grandmother and her influential role in his life.

A good compilation that illustrates Bill Withers recording career which ended with his disillusionment with the recording industry. He performed and recorded from 1970 until 1985. On this CD, there is all the major songs, some of which are very inspired writings and many are in a class of there own. There is no doubt that Withers was a perfectionist and the musically, he was well ahead of his time. Take 'Grandma's Hands' and all of the early Sussex recordings that feature the acoustic guitar. with and without the lovely string backings (by Booker T. Jones). Disc 1 illustrates some of his great early material. Later on, we get the Columbia recordings which are good but musically, you get the impression that Withers was being pressured by the company to deliver what they wanted and not necessarily the material that he wanted to do. He is a unique artist and sincerely hope that one day, he will surprise the public by releasing some amazing new songs with the poetry and musicality of his 1970's material.

Bill Withers - Just as I Am/Still Bill (2003)
Soul | 1CD | APE+CUE+LOG+HQ Scans (300 dpi) | 442 mb
Label: Raven [Australia]

Bill Withers' first two albums were arguably his best works, his most personal and unaffected music with a distinctive sound by virtue of their lean production, especially his debut, Just As I Am. At the turn of the 1960s into the 1970s, he was a unique presence, as we're reminded by this Raven Records two-LP-on-one-CD package. Withers' first album is otherwise unavailable on CD, and the mastering here brings the audio quality up dramatically, making the listening experience close and intimate, almost like a private studio performance. Withers' songs are so personal that they only gain intensity from this treatment – not just the original songs, such as "Ain't No Sunshine" or "Grandma's Hands," but even his cover of "Let It Be." The only real decision that fans will have to make concerns his second album, Still Bill, which is available in the United States with two live bonus tracks; for anyone owning this disc, buying Sony's domestic release of that album may prove superfluous. As an added enticement, Raven has also included bonus tracks of "Better Days," from the soundtrack to the movie Man and Boy, and a version of "It's All Over Now," by Withers and Bobby Womack.