Culled from the deep vaults of Chicago's Chess Records, 'Go Go Power' takes its name from a fantastic slice of gritty Chicago R&B groove by pint-sized soulster Sugar Pie Desanto. The songs here were not chart hits in the U.S., but were popular in the U.K., where clubs devoted to soul music continue to thrive. Marlena Shaw's excellent "Wade in the Water" shows that she wasn't restricted to jazz recordings, and Billy Stewart surprises with the funky rendition of the blues standard "Everyday (I Have the Blues)." As if they weren't potent enough by themselves, Sugar Pie Desanto and Etta James team up for "In the Basement" and ask you to "stop and check yourself" on "Do I Make Myself Clear." It's also nice to see lesser-known names make stellar appearances here, like the Knight Brothers – best known for their 1965 ballad "Temptation 'Bout to Get Me" – turn in a Memphis burner with "That'll Get It," while Chicago staple Bobby McClure proves he knows what he wants with the pulsing "Peak of Love." A thoroughly consistent selection that makes for a fine downtown diversion when the uptown gloss and polish of Motown seems too genteel.
10-CD box set that contains 250 original Rockabilly recordings. Featuring Jonny Cash, Carl Phillips, Johnny Horton, Marty Robbins, Tennessee Ernie Ford, Hank Thompson, Faron Young, Bill Haley & The Saddlemen and many others. All the tracks were recorded between 1947 and 1960 but with the vast majority coming from the 1950's.
First the good news, which is really good: the sound on this 340-song set is about as good as one ever fantasized it could be, and that means it runs circles around any prior reissues; from the earliest Aristocrat sides by the Five Blazers and Jump Jackson & His Orchestra right up through Muddy Waters' "Going Down to Main Street," it doesn't get any better than this set. The clarity pays a lot of bonuses, beginning with the impression that it gives of various artists' instrumental prowess. In sharp contrast to the past efforts in this direction by MCA, however, the producers of this set have not emasculated the sound in the course of cleaning it up, as was the case with the Chuck Berry box, in particular.
The second recording by tuba player Bob Stewart's First Line Band is even better than the first. In 1988, Stewart's group also included trumpeter James Zoller, trombonist Steve Turre, guitarist Jerome Harris and either Buddy Williams or Ed Blackwell on drums; trumpeter Earl Gardner and John Clark on French horn have guest spots on this CD. The music ranges from the straightforward swing of Don Cherry's "Art Deco" and a good-humored "Sweet Georgia Brown" to a 121-minute exploration of Billy Harper's "Priestess" and originals by Stewart, Olu Dara and Kelvyn Bell. Stimulating and often-surprising music that is generally more accessible than one might expect.
This is the most comprehensive collection of the rockabilly era that was ever assembed in one box. On these 40CDs there are 1000 carefully chosen songs. A booklet is also included with information, biographies and many rare illustrations.
The CDs in See for Miles' The EP Collection series are odd hybrids that don't often quite function as either greatest-hits collections (though they usually have quite a few hits) or rarities anthologies (since they include too many hits). Billy J. Kramer's entry into the series is no exception. All 25 of the tracks were used on EP releases from the mid-'60s, and they do include all half-dozen of his major chart hits, as well as his Lennon-McCartney B-side covers of "I'll Be on My Way" and "I'll Call Your Name."…
A fabulous assortment of artists from different areas of the rock genre give a glorifying tribute to Curtis Mayfield in a sparkling 17-song package. Gladys Knight, Stevie Winwood, Lenny Kravitz, Whitney Houston, Bruce Springsteen, Eric Clapton, The Isley Brothers, Aretha Franklin, B.B. King, Phil Collins, Stevie Wonder, Rod Stewart, Elton John, Tevin Campbell, Narada Michael Walden, Repercussions, Branford Marsalis.
During his brief yet legendary career, the albums released during Jimi Hendrix's lifetime could be broken down into two categories – psychedelic hard rock and funk/soul rock. The latter style could be pinpointed to the 1970 release Band of Gypsys, a live recording which saw Hendrix hook up with old pals Billy Cox (guitar) and Buddy Miles (drums), and shy away from the pyrotechnics of his early days in favor of heavy jamming. Thirty-six years after the release of the Band of Gypsys' lone album comes a follow-up, Band of Gypsys Return, on which Hendrix's shoes are filled by such players as Eric Gales, Kid Rock's Kenny Olson, and Guitar World Magazine's Andy Aledort, among others.