Billy The Kid

Detroit Symphony Orchestra & Leonard Slatkin - Copland: Grohg & Billy the Kid (2019)

Detroit Symphony Orchestra & Leonard Slatkin - Copland: Grohg & Billy the Kid (2019)
WEB FLAC (tracks) - 278 Mb | MP3 CBR 320 kbps - 146 Mb | Digital booklet | 01:02:51
Classical | Label: Naxos Records

Aaron Copland did as much as anyone in establishing American concert music on the world stage, and his ballet scores proved to be among his most important and influential works. Grohg is the most ambitious example of his Parisian years, a precociously brilliant one-act ballet scored for full orchestra, inspired by the silent expressionist film Nosferatu. The first example of Copland’s new ‘Americanized’ music of the 1930s was Billy the Kid, based on the life of the 19th century outlaw and heard here in its full version. This was the first fully fledged American ballet in style and content: brassy, syncopated, filmic and richly folk-flavoured.

PBS American Experience - Billy the Kid (2011)  Movies

Posted by Tutorial at April 23, 2020
PBS American Experience - Billy the Kid (2011)

PBS American Experience - Billy the Kid (2011)
HDTV | 960 x 540 | .MP4/AVC @ 1281 Kbps | 54 min 13 s | 548 MB
Audio: English AAC 129 Kbps, 2 channels | Subs: None
Genre: Documentary, History

On April 28, 1881, just days from being hanged for murder, 21-year-old Henry McCarty, alias Billy the Kid, outfoxed his jailors and electrified the nation with the last in a long line of daring escapes. Just a few weeks later, he was finally gunned down by an ambitious sheriff, and the felling of one of the most notorious criminals of the age made headlines across the country.

Bob Dylan - Pat Garrett & Billy The Kid (1973)  Music

Posted by v3122 at Aug. 14, 2022
Bob Dylan - Pat Garrett & Billy The Kid (1973)

Bob Dylan - Pat Garrett & Billy The Kid (1973)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1989 | Columbia, CD 32098 | ~ 213 or 83 Mb | Scans(jpg) -> 42 Mb
Folk Rock

This album was unusual on several counts. For starters, it was a soundtrack (for Sam Peckinpah's movie of the same title), a first venture of its kind for Bob Dylan. For another, it was Dylan's first new LP in three years – he hadn't been heard from in any form other than the single "George Jackson," his appearance at the Bangladesh benefit concert in 1971, in all of that time…
Detroit Symphony Orchestra - Copland: Grohg & Billy the Kid (2019) [Official Digital Download 24/96]

Detroit Symphony Orchestra - Copland: Grohg & Billy the Kid (2019)
FLAC (tracks) 24-bit/96 kHz | Time - 56:07 minutes | 997 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Aaron Copland did as much as anyone in establishing American concert music on the world stage, and his ballet scores proved to be among his most important and influential works. Grohg is the most ambitious example of his Parisian years, a precociously brilliant one-act ballet scored for full orchestra, inspired by the silent expressionist film Nosferatu. The first example of Copland’s new ‘Americanized’ music of the 1930s was Billy the Kid, based on the life of the 19th century outlaw and heard here in its full version. This was the first fully fledged American ballet in style and content: brassy, syncopated, filmic and richly folk-flavoured.
Bob Dylan - Pat Garrett & Billy The Kid (Soundtrack) (1973) {2019, Hybrid SACD, Limited Edition, Remastered} Audio CD Layer

Bob Dylan - Pat Garrett & Billy The Kid (Soundtrack) (1973) {2019, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 205 Mb | MP3 CBR320 ~ 85 Mb
Full Scans ~ 100 Mb | 00:35:25 | RAR 5% Recovery
Mobile Fidelity Sound Lab #UDSACD 2202 / Columbia #88875183602
Soundtrack / Folk Rock / Country

This album was unusual on several counts. For starters, it was a soundtrack (for Sam Peckinpah's movie of the same title), a first venture of its kind for Bob Dylan. For another, it was Dylan's first new LP in three years – he hadn't been heard from in any form other than the single "George Jackson," his appearance at the Bangladesh benefit concert in 1971, in all of that time. Finally, it came out at an odd moment of juxtaposition in pop culture history, appearing in July 1973 on the same date as the release of Paul McCartney's own first prominent venture into film music, on the Live and Let Die soundtrack (the Beatles bassist had previously scored The Family Way, a British project overlooked amid the frenzy of the Beatles' success).
Travel Ch. - Mysteries at the Museum: Who Killed Billy the Kid (2019)

Travel Ch. - Mysteries at the Museum: Who Killed Billy the Kid (2019)
HDTV | 1280x720 | .MKV/AVC @ 3060 Kbps | 42 min 35 s | 964 MiB
Audio: English AAC 127 kbps, 2 channels | Subs: None
Genre: Documentary

Don Wildman explores the legend of Billy the Kid to uncover the truth surrounding his infamous death in 1881. Was the young outlaw really gunned down in the night by a sheriff, or did he somehow outrun the law and live to an old age? Don examines historic evidence, questions experts and investigates the conspiracy theories in his quest to finally put the controversy to rest.
National Symphony Orchestra & Gianandrea Noseda - Dvořák: Symphony No. 9 - Copland: Billy the Kid (2020)

National Symphony Orchestra & Gianandrea Noseda - Dvořák: Symphony No. 9 - Copland: Billy the Kid (2020)
FLAC tracks +booklet | 01:02:29 | 261 Mb
Genre: Classical / Label: National Symphony Orchestra

"The National Symphony Orchestra and I are proud to present this debut album on our new label. These live recordings were made at our home, The John F. Kennedy Center for the Performing Arts in Washington, D.C. It is only fitting that this recording is dedicated to two composers who greatly contributed to the tapestry of American music." Gianandrea Noseda, NSO Music Director. The first release on the National Symphony Orchestra label pairs Copland's evocative Suite from Billy the Kid with Dvorák's Ninth Symphony.

Billy the Kid & The Regulators - I Can't Change (2015)  Music

Posted by aasana at Jan. 24, 2017
Billy the Kid & The Regulators - I Can't Change (2015)

Billy the Kid & The Regulators - I Can't Change (2015)
Blues Rock | 00:39:58 | Mp3, 320 kbps | 281 Mb
Label :Billy the Kid and the Regulators | Year Of Release :2015

This brash pop metal quartet was formed in Los Angeles, USA, during 1984 by vocalist Stephen Frederick and guitarist Bill L’Kid. With the addition of Jeffrey Velvet (bass) and Randy Delay (ex-Georgia Satellites; drums), they signed a contract with MCA Records the following year. Fusing the energy and flamboyance of Van Halen with the commercial sensibilities of REO Speedwagon, they recorded the impressive Sworn To Fun in 1985. Failing to attract media interest, they disbanded soon after the album’s release.
Bob Dylan Soundtrack - Pat Garrett And Billy The Kid (1973) [MFSL 2019] PS3 ISO + Hi-Res FLAC

Bob Dylan - Pat Garrett & Billy The Kid (1973) [MFSL 2019]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 35:25 minutes | Scans included | 998 MB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 813 MB
Mobile Fidelity Sound Lab # UDSACD 2202

Pat Garrett & Billy the Kid is the 12th studio album and first soundtrack album by American singer-songwriter Bob Dylan, released on July 13, 1973 by Columbia Records for the Sam Peckinpah film, Pat Garrett and Billy the Kid. Dylan himself appeared in the film as the character "Alias". The soundtrack consists primarily of instrumental music and was inspired by the movie itself, and included "Knockin' on Heaven's Door", which became a trans-Atlantic Top 20 hit.
Aaron Copland - Appalachian Spring, Billy the Kid & Rodeo - San Francisco Symphony, Michael Tilson Thomas (2005) {RCA-BMG}

Aaron Copland - Appalachian Spring, Billy the Kid & Rodeo - San Francisco Symphony, Michael Tilson Thomas (2005) {RCA-BMG}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 336 Mb | MP3 @320 -> 179 Mb
Full Artwork @ 300 dpi (png) -> 59 Mb | 5% repair rar
© 2005 RCA / BMG Music | 82876-65840-2
Claccical / Contemporary Classical

I'm a big fan of Copland. His music can be dramatic, sad, joyful, and just plain fun. I also think his music is a good vehicle for personal expression of the performer/conductor. I don't think this is true for all composers–-I cringe at some interpretations of Bach–-but I usually enjoy it when a performance of Appalachian Spring or Bill the Kid contains some individual stamp that indicates the performer is really feeling and enjoying what they are doing. The combination of Copland's timeless compositions and subtle playing effects can be very sophisticated indeed.