Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.
‘Encountering a palace of riches’ is how pianist (and Hyperion debutante) Mishka Rushdie Momen describes her experience of playing Tudor keyboard music, a varied selection of which is included here. It’s a description which could apply equally to the listener discovering the music in performances as convincingly idiomatic as these.
Frank Merrick was a tireless champion of the causes in which he believed and these causes extended well beyond the field of music. Although his name is associated with the piano music of a range of composers as diverse as John Field and Prokofiev, Schubert and Arnold Bax, he also campaigned with the suffragettes, was imprisoned during the First World War as a Conscientious Objector and over many years advocated the use of the universal language Esperanto. Between 1898-1901 Frank Merrick studied in Vienna with the celebrated teacher, Theodor Leschetizky, and he made his London debut aged 16 in 1903. This release features a selection of the best performances transferred from the ‘Frank Merrick Society’ and the ‘Rare Recorded Edition’ LPs of the 1960s.
‘Encountering a palace of riches’ is how pianist (and Hyperion debutante) Mishka Rushdie Momen describes her experience of playing Tudor keyboard music, a varied selection of which is included here. It’s a description which could apply equally to the listener discovering the music in performances as convincingly idiomatic as these.
Mishka Rushdie Momen makes a highly enjoyable Hyperion debut, playing Renaissance keyboard music on a modern Steinway grand piano, with subtlety of tone and phrasing that brings new perspective to the music of Byrd, Sweelinck, Gibbons and Bull.
Mishka Rushdie Momen makes a highly enjoyable Hyperion debut, playing Renaissance keyboard music on a modern Steinway grand piano, with subtlety of tone and phrasing that brings new perspective to the music of Byrd, Sweelinck, Gibbons and Bull.