This is an eight-CD set more for Duke Ellington fanatics than for general listeners. Originally, some of the music came out as a two-LP set (Ella and Duke at the Cote D'Azur) and a single album (Ellington's Soul Call), but the great majority of the material was previously unreleased when this box came out in 1998.
"Goth" was a much maligned '80s genre, often deserved thanks to overtly gloomy pretentiousness, but just as often artistic, dark, bracing music. In addition to those outfits that still keep it going, this double CD is smart enough to include some of the long forgotten, unsung English practitioners who left behind stunning moments, folks such as UK Decay (see their brilliant singles and 1981 LP For Madmen Only), Theatre of Hate (too bad no "Westworld" or "Nero" here), Play Dead (thought no one remembered them!) and even Southern Death Cult (who became internationally famous a few years later when they changed their name from Death Cult to the Cult). One imagines Cleopatra couldn't get the rights to include such seminal bands as the Cure or Sisters of Mercy, but those groups don't need this kind of introduction, and the omission of the March Violets aside, this is an intelligently selected guide.
If you set out to create a single anthology that charted all the twists and tributaries of that uniquely American river we call jazz, you couldn't do better than this companion set to the PBS series-94 tracks on 5 CDs licensed from virtually every important label in the history of the music. Includes The Pearls Jelly Roll Morton; Charleston James P. Johnson; West End Blues Louis Armstrong & His Hot Five; The Mooche Duke Ellington; Singin' the Blues Frankie Trumbauer & His Orchestra featuring Bix Beiderbecke; Moten Swing Benny Moten's Kansas City Orchestra; Strange Fruit Billie Holiday; Three Little Words Art Tatum; Body and Soul Coleman Hawkins; In the Mood Glenn Miller; Take Five Dave Brubeck; So What Miles Davis; Giant Steps John Coltrane; Desafinado Stan Getz & Charlie Byrd, and many more classics.
In January 1966 Duke Ellington, in tournee in Europe, had some concerts in Italy with his orchestra, including some of the most famous "ellingtonians". These very rare recordings were taken during the afternoon concert at Teatro Lirico in Milan January 30, 1966. The performance of the orchestra was followed by a set of Ella Fitzgerald and her trio and was closed by a meeting of Ella and the orchestra in Cotton Tail with a very exciting duet between the "scat" of Ella and the sax of Paul Gonsalves.