Black Spartacus

This program is a loving tribute to A. Khachaturian, the towering musical figure from my native Armenia and to G. Gershwin, the musical genius from my adopted home, the United States. These two composers are bridged here by the phenomenal pianist/composer and Hollywood superstar, Oscar Levant. Some of the works on the album have been my loyal recital companions since childhood, the others have become such upon my immigration to America as a young adult. The album includes a world premiere recording of Oscar Levant's jazzy Sonatina.

Decca/London introduced Phase 4 Stereo in 1961. For classical music, the Phase 4 approach was based on miking every orchestra section individually, along with mics for selected instruments – up to a maximum of 20 channels, which were then mixed via a recording console. This resulted in a dynamic, in your face sound with relatively little hall ambience. The quality of the sound mostly depended on how skillfully the recording engineer balanced each channel – and the results were not always consistent. Thus, the Phase 4 sound was the antithesis of the minimally miked, “simplicity is wisdom” approach of the RCA’s early Living Stereo and Mercury’s Living Presence recordings, along with Telarc’s early digital recordings.

This 35 disc set is jam packed with thrilling, beautiful - and superbly recorded - music.
Tchaikovsky's "Big Three" are very well represented here. Dutoit's lushly lyrical and dramatic "Swan Lake", Bonynge's affectionate and inspired "Sleeping Beauty" (listen out for grumpy Carabosse's distant thunder rumbling in the Act II Symphonic Entr'acte!) and a version of "The Nutcracker" - Bychkov and the Berlin Philharmonic, which is brilliant, full of character and sparkle.

Ultimate Classical Chill Out: The Essential Masterpieces basically delivers what it promises: a large selection of mellow classical music appropriate for unobtrusive background listening. The pieces are from a variety of genres, including orchestral, symphonic, vocal, chamber, and keyboard music. Most are gently lyrical and are from the Romantic and post-Romantic periods, but there are also pieces from the Baroque, Classical, and Modern eras. The performances come from Decca's extensive archive and are consistently top-notch in quality, and the notes identify the performers of each piece. The sound ambience varies somewhat from track to track, but it is never less than very good. This five-disc set with over six hours of music is a good bargain for anyone looking for a broad assortment of quiet classical pieces.