Blind Date (1987)

If not a definitive blues recording, this 16-track collection delivers on the promise of its title. James Cotton, Johnny Winter, Buddy Guy, Lonnie Mack, and the inestimable Professor Longhair rock the house like the veterans they are. The respected label also showcases relative newcomers, including Robert Cray and Little Charlie & the Nightcats, to show that blues has a future as well as a rich past.

Leonard Chess dispatched Etta James to Muscle Shoals in 1967, and the move paid off with one of her best and most soul-searing Cadet albums. Produced by Rick Hall, the resultant album boasted a relentlessly driving title cut, the moving soul ballad "I'd Rather Go Blind," and sizzling covers of Otis Redding's "Security" and Jimmy Hughes' "Don't Lose Your Good Thing," and a pair of fine Don Covay copyrights. The skin-tight session aces at Fame Studios really did themselves proud behind Miss Peaches.

Bruce Springsteen - The Album Collection Vol. 2, 1987-1996 (2018) {7CD Box Set Sony Music Japan Mini LP SICP 5791~7}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.98 Gb | MP3 @320 -> 730 Mb
Full Artwork @ 600 dpi (jpg) -> 1.29 Gb | 5% repair rar
© 1987-96, 2018 Columbia / Sony Music Japan | SICP 5791~7
Rock / Contemporary Rock / Heartland Rock

Cardboard sleeve box set release from Bruce Springsteen contains five albums released from "Tunnel of Love" (1987) through "The Ghost of Tom Joad" (1995) as well as two EP works "Chimes Of Freedom" & "Blood Brothers." All albums are remastered for this release by Bob Ludwig and Toby Scott. Comes with a deluxe booklet. Each mini LP faithfully replicates it's original vinyl design. Contains 60-page booklet with rare photos, memorabilia and newspaper clippings from the years 1987-1996.

Colin Vearncombe will forever be preserved in pop aspic as the maker of 1987’s melancholy worldwide hit Wonderful Life – No 1 in Austria! – but he hasn’t stopped working, despite his not having breached the top 40 for 27 years. Blind Faith, his seventh album under the Black flag, is a marvellous little thing – a less temperamental, less self-regarding cousin to Scott Walker’s first four solo records. Like them, it’s steeped in European balladry, and filled with delicious arrangements – the swooping strings and jazzy shuffles of Womanly Panther are a delight. Vearncombe’s slightly frayed baritone is a perfect match to the music, steering it clear of pomposity, filling it with humanity, even when the regrets well up – “I am not the man you want me to be,” he sings on Not the Man, “Here comes the talking / Slamming doors you then have to throw open.” Pop stardom is a long way in the past for Vearncombe, but Blind Faith is an album by a man very much in control of his gifts.

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