Billy Bang long ago earned his reputation as an engaging leader and violin soloist in avant-garde circles. Luckily that has not stifled his abilities and ambition to play in more straight-ahead settings as he does on Big Bang Theory…
At 25 years old, Polly Gibbons is one of the most talked about young singer/songwriters in the UK – her nomination for a BBC Jazz Award is clear indication of her success, along with ongoing performances at some of the top UK venues and international festivals. Raised with 5 siblings on a musical Suffolk farm, people quickly became aware of her vocal talent. By the age of 5, Polly had already co-written her first song – a song which was selected from thousands to be recorded at Air Studios in London.
Bang is well-regarded as one of the premier progressive jazz violinists, and this recording, not surprisingly, shows him balancing music both inside and out. Pianist D.D. Jackson follows these modern traditionalist lines, while unheralded bassist Akira Ando holds up things nicely, and drummer Ronnie Burrage constructs and deconstructs rhythms in rapid-fire fashion. Of the standards, played within the tradition, all are easily identifiable and enjoyable. "Sweet Georgia Brown" is a most vibrant rendition of the other side of Stephane Grappelli – straight, swinging, and yes, incorporating some low-atmosphere blasts and scrapings.
Violinist Billy Bang uses the same instrumentation on this set as on his previous The Fire From Within, although his sextet had two new members: trumpeter Roy Campbell and drummer Zen Matsuura. A more rhythmic album, this melodic avant-garde set rewards repeated listenings and has an impressive amount of variety.
In the summer of 1971, BANG, a trio from the Philadelphia area, decided to take a road trip to Florida to try their fortune. While buying some rolling papers in the Sunshine State, they learned about a Small Faces and Deep Purple concert nearby in Orlando. They showed up at the venue and brazenly declared they were ready to go on stage. The concert organizer asked them to set up and play for him. After a couple songs, he told them they were opening for Rod Stewart and Faces. Before they knew it, BANG was playing with Bachman Turner Overdrive, Deep Purple, Three Dog Night, Fleetwood Mac, Ike and Tina Turner, The Doobie Brothers, and even Black Sabbath. Capitol Records signed them, and three LPs were released. This CD was put out by the band and has the albums Bang and Mother/Bow To The King both on the same cd. This was self released and not on any label.
Violinist Billy Bang is equally at home whether performing heady, modern-jazz-style improvisation or when churning out a straightforward swing vibe within mainstream contexts. Here, saxophonist/flutist Sonny Fortune, pianist John Hicks, and others lend their wares to this generally invigorating 2001 production. Based upon his Vietnam War experiences, Bang and associates meld Southeast Asian modalities with Western scales and bouncy swing vamps amid a few tenderly executed ballads…
Beth Hart received a considerable boost from her collaboration with guitarist Joe Bonamassa, but her 2013 album, Bang Bang Boom Boom, finds the blues-rock belter returning to her comfort zone, working with producer Kevin Shirley and running through a selection of songs that are originals; songs that emphasize Hart's range and power. In some ways, this is the purest record Hart has yet recorded; there is a real sense of what she can sing and how she lays back, waiting for the moment when her wailing would create the strongest disruption. That means Bang Bang Boom Boom feels familiar without being complacent: there is no surprise in style but rather in attack, how Hart waits for the precise moment to unleash her fury. Sometimes, it seems that Hart would be well-served by stretching herself just a bit, but Bang Bang Boom Boom isn't an album that's meant to surprise…
The diminutive but mighty acoustic bassist Malachi Favors was a charter member of the Art Ensemble of Chicago and Kahil El'Zabar's Ritual Trio, and since his passing both groups have suffered. This recording for El'Zabar and his revamped trio including longtime member saxophonist Ari Brown and guest violinist Billy Bang is the first offering with bassist Yosef Ben Israel filling the chair of the late Favors…
Surely one of the most unsung bands in the history of American hard rock music, BANG released three full-length albums for Capitol Records in the early 70’s, that criminally sank without a trace. Capitol artist development at the time just did not know what to do with the band that was often called America’s answer to Black Sabbath. BANG‛s first significant break came when the Philadelphia band gate-crashed a Rod Stewart show in Orlando in 1971 convincing promoters to put them on as the warm up act. With the interest of the major concert promoters of the day, East Coast Concerts and Concerts West, the band soon became major contenders in the hard rock arena.