Blu Swing

British rock band formed in 1977 by Mark Knopfler, David Knopfler, John Illsley and Pick Withers. The group first split up in 1988 but reformed in 1991 and then disbanded again in 1995…

If you ask most film fans to name just one movie which best sums up the Golden Age of Hollywood, or even film in general, chances are the majority of them are going to answer Gone With the Wind. This epic 1939 release, which still sits atop most all time box office champ lists (at least those with receipts adjusted for inflation), really shouldn't have been such a bellwether production, though. With a famously troubled pre-production which forced producer David O.

Seventeen years is a long time between albums. It's even longer when you consider the magnitude of how much life happens during that interval. Tears for Fears had experienced mega pop successes (and loads of industry pressure) with Songs from the Big Chair and The Seeds of Love. Curt Smith, sick of paying fame's price, quit in 1991. Roland Orzabal carried on the name for two more lackluster albums. The lads reunited for 2004's Everybody Loves a Happy Ending, but it was short-lived. They planned to record again shortly thereafter, but Orzabal's wife Caroline became gravely ill. Further, their record company tried pairing them with contemporary hitmaking songwriters. They scuttled the sessions. Caroline died in 2017, and a bereft Orzabal turned to his old friend Smith for community and solace; the duo began touring and writing together again in a room with two acoustic guitars. The Tipping Point was eventually completed during the pandemic…

This is one of two albums released by Capitol Records in anticipation of the December 2001 release of the remake of Ocean's Eleven, the 1960 Las Vegas caper film that utilized the talents of Frank Sinatra's Rat Pack of entertainers. The original film had no formal soundtrack album, but there was music in the picture and, of course, Sinatra, Dean Martin, and Sammy Davis, Jr. (along with comedian Joey Bishop and actor Peter Lawford) performed on-stage during the making of the movie. This compilation of studio recordings made in the 1950s and '60s draws not only from the Capitol archives but also from Reprise, for which all three singers began to record starting in the early '60s.