Blue Öyster Cult

In 1999, Mobile Fidelity reissued Blue Oyster Cult's first two albums, Blue Oyster Cult (1972) and Tyranny and Mutation (1973) on a single 24-karat gold CD that was aimed at audiophiles. Hearing the albums back to back on the same disc, one is reminded how much crisper, tougher and sharper Murry Krugman and Sandy Pearlman's production was on Tyranny and Mutation – it's a production that's more suitable for a heavy metal/hard rock band…

Recorded at the Hard Rock Casino in Northfield, Ohio, ‘Hard Rock Live Cleveland 2014’ offers a comprehensive and exciting look at the Blue Öyster Cult repertoire. Containing almost two hours of music, the band is on fire, performing some of the finest and most beloved songs from their extensive catalogue, while not forgetting some deeper cuts that will make long term fans of the band very happy…

If ever there were a manifesto for 1970s rock, one that prefigured both the decadence of the decade's burgeoning heavy metal and prog rock excesses and the rage of punk rock, "This Ain't the Summer of Love," the opening track from Agents of Fortune, Blue Öyster Cult's fourth album, was it…

The 2012 box set Original Album Classics rounds up the five albums BOC released between 1975 and 1983: On Your Feet or on Your Knees, Some Enchanted Evening, Cultosaurus Erectus, Fire of Unknown Origin, and Revölution by Night. Every one of these CDs is packaged as a mini-LP in a paper sleeve, making this a handsome, affordable way to get the prime of Blue Öyster Cult in one fell swoop.

If ever there were a manifesto for 1970s rock, one that prefigured both the decadence of the decade's burgeoning heavy metal and prog rock excesses and the rage of punk rock, "This Ain't the Summer of Love," the opening track from Agents of Fortune, Blue Öyster Cult's fourth album, was it. The irony was that while the cut itself came down firmly on the hard rock side of the fence, most of the rest of the album didn't. Agents of Fortune was co-produced by longtime Cult record boss Sandy Pearlman, Murray Krugman, and newcomer David Lucas, and in addition, the band's lyric writing was being done internally with help from poet-cum-rocker Patti Smith (who also sings on "The Revenge of Vera Gemini").

Club Ninja is the tenth studio album by the U.S. hard rock group Blue Öyster Cult, released in December 10, 1985. The album was intended as a comeback for the band, whose previous album The Revölution by Night failed to attain Gold status following the success of 1981's Fire of Unknown Origin and 1982's Extraterrestrial Live. Club Ninja is the only Blue Öyster Cult studio album not to feature keyboardist Allen Lanier. He was replaced temporarily by Tommy Zvoncheck, who'd previously been keyboardist for Aldo Nova's live band, for a Japanese tour by Public Image Ltd. and had already contributed to the initial recordings of Blue Öyster Cult's 1988 concept album Imaginos. The album also features new drummer Jimmy Wilcox, formerly of Rick Derringer and Scandal, who replaced Rick Downey. Edwin Pouncey, reviewing the album for Sounds, gave it a five-star rating, describing it as "a seemingly leaden slab of AOR which suddenly turns into gold in your hands", praising Sandy Pearlman's production.