Reissue with DSD remastering. Originally recorded for the Japanese East Wind label and only made available domestically on a 1979 Inner City LP, this trio outing by pianist Andrew Hill also features bassist Richard Davis and drummer Roger Blank. Hill performs six of his unpredictable originals ("Nefertiti" is his tune, not the more famous composition by Wayne Shorter) and, although the music seems slightly more conservative than usual for a Hill set, the music is consistently stimulating; too bad it's so difficult to locate.
After a flurry of recordings for Blue Note during the 1960s, Andrew Hill didn't make another album as a leader until this Steeplechase studio session in 1974. Not that the pianist was inactive during this five-year stretch; he was performing concerts, teaching at Colgate University, and also writing for string quartets and symphony orchestras. This trio date with bassist Chris White and drummer Art Lewis features five original compositions, beginning with the turbulent but enticing "Catfish," which alternates between post-bop and avant-garde.
Augmenting his rhythm section of bassist Richard Davis and drummer Elvin Jones with vibraphonist Bobby Hutcherson, pianist Andrew Hill records an excellent set of subdued but adventurous post-bop with Judgment. Without any horns, the mood of the session is calmer than Black Fire, but Hill's compositions take more risks than before. ~ AllMusic
Astell&Kern, the leading hi res portable music player that boasts studio sound quality, has announced a special package partnership with Blue Note Records to commemorate the record company's 75th anniversary in the world of Jazz and Blues. 75 legendary Blue Note jazz albums that have been remastered in the Hi-Res digital format. Especially, five Blue Note albums make their exclusive hi-res audio debuts with this release: Art Blakey & The Jazz Messengers' Mosaic, Tina Brooks' True Blue, Don Cherry's Complete Communion, Andrew Hill's Point Of Departure, and Bobby Hutcherson's Components.
Though chock full of Osby's signature brand of dissonance, The Invisible Hand is one of the altoist's mellower, more contemplative offerings. Its most novel aspect is the inclusion of pianist Andrew Hill and guitarist Jim Hall, two of jazz's fascinating elder statesmen. Hill's piano style is fractured and fragmented, yet suffused with its own ornamental beauty. Hall is a master of the understated, perfectly chosen phrase. Both have worked with Osby on more than one occasion. But The Invisible Hand is an historic first: prior to its recording, Hill and Hall had never played together.
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Coming fresh on the heels of his groundbreaking work with Eric Dolphy, Bobby Hutcherson's debut album is a masterpiece of "new thing" avant-garde jazz, not really free but way beyond standard hard bop. Dialogue boasts an all-star lineup of hot young post-boppers – trumpeter Freddie Hubbard, woodwind player Sam Rivers, pianist Andrew Hill, bassist Richard Davis, and drummer Joe Chambers – and a set of imaginative compositions by either Hill or Chambers that frequently push the ensemble into uncharted territory.
An amazing run of music – some of our favorite albums ever recorded for the Blue Note label, and the legendary second chapter of the career of tenor genius Hank Mobley! Hank was already a hell of a tenor player when he came on the scene in the 50s – graced with this deeply soulful style that helped usher in a whole new generation of talents on the instrument – but during his final years at Blue Note, he really took off with amazing new ideas, unusual rhythms, mindblowing arrangements, and the kind of compositional skill she never showed at the start!
For 75 years the Blue Note label, find an anthology of 50 singles drawn from his extensive catalog, which coincides with the history of jazz. Since the first record in 1939, the label hosted the stars of the most famous jazz including John Coltrane, Miles Davis, Thelonious Monk, Bud Powell, Jimmy Smith, Grant Green, Clifford Brown, Freddie Hubbard, Joe Henderson, Wayne Shorter, McCoy Tyner, Donald Byrd, Andrew Hill and Ornette Coleman … as well as among the most innovative artists of modern jazz, like Cassandra Wilson, Jason Moran, Lionel Loueke, Norah Jones, José James, Robert Glasper and Gregory Porter. A must for any jazz fan who respects.