Pieces of Eight is the eighth studio album by Styx, released on September 1, 1978. Like the band's previous album, The Grand Illusion (1977), it managed to achieve triple platinum certification, thanks to the hit singles "Blue Collar Man (Long Nights)" and "Renegade". The band members produced and recorded the album (like their previous three efforts) at Paragon Studios in Chicago with recording engineer Barry Mraz and mixing engineer Rob Kingsland. "I'm O.K." was recorded at Paragon and St. James Cathedral. This would be the last album to be produced at Paragon Studios. The album's cover was done by Hipgnosis. DeYoung stated in the 1991 interview with Redbeard on the "In the Studio" episode that he initially hated the cover but grew to like it as he got older.
Styx's feisty, straightforward brand of album rock is represented best by "Blue Collar Man" from 1978's Pieces of Eight, an invigorating keyboard and guitar rush – hard and heavy, yet curved by Tommy Shaw's emphasized vocals. Reaching number 21, with the frolicking romp of "Renegade" edging in at number 16 only six months later, Pieces of Eight maintained their strength as a front-running FM radio group…
Styx's feisty, straightforward brand of album rock is represented best by "Blue Collar Man" from 1978's Pieces of Eight, an invigorating keyboard and guitar rush – hard and heavy, yet curved by Tommy Shaw's emphasized vocals…
Styx's feisty, straightforward brand of album rock is represented best by "Blue Collar Man" from 1978's Pieces of Eight, an invigorating keyboard and guitar rush – hard and heavy, yet curved by Tommy Shaw's emphasized vocals. Reaching number 21, with the frolicking romp of "Renegade" edging in at number 16 only six months later, Pieces of Eight maintained their strength as a front-running FM radio group…
This is effectively the entire studio catalogue, and includes all the American singer-songwriter’s albums recorded as John Cougar, John Cougar Mellencamp and John Mellencamp for various record labels. The set contains a total of 223 tracks and spans 35 years. Twelve of the albums have bonus tracks, sourced from the 2005 re-mastered versions of Mellencamp’s Mercury releases.