Blue Volume 145

With the Compact Jazz series offering plenty of fine single-artist starter discs, there should be no hesitation in picking up this multi-artist overview for that jazz neophyte friend. As usual, the price is right and the selection generous. Covering the '50s, '60s, and '70s, the disc includes both vocal and instrumental tracks from the likes of Sarah Vaughan, Bill Evans, Dinah Washington, Erroll Garner, Stan Getz, Ella Fitzgerald, and Billie Holiday.

With the Compact Jazz series offering plenty of fine single-artist starter discs, there should be no hesitation in picking up this multi-artist overview for that jazz neophyte friend. As usual, the price is right and the selection generous. Covering the '50s, '60s, and '70s, the disc includes both vocal and instrumental tracks from the likes of Sarah Vaughan, Bill Evans, Dinah Washington, Erroll Garner, Stan Getz, Ella Fitzgerald, and Billie Holiday.

This is the first of two CDs issued by Concord Jazz compiling some of the best tracks from Emily Remler's sessions for that label. Cut short at a far too early age by a heart condition while touring in Australia, Remler had all the talent necessary to carve herself a niche in the jazz world as a premier jazz guitar interpreter and performer. Retrospective, Vol. 1 is probably the superior of the two volumes, as it includes, among other gems, an enticing unaccompanied rendition of "Afro Blue." Remler had the ability to be expressively warm with a romantic ballad, as on "In a Sentimental Mood," but she excelled on tunes that allowed her to bring out her hard bop credentials, especially in the company of similarly tough-minded rhythm sections. She displays those credentials on several tracks, such as "Hot House" and "Daahoud," where she is joined by the inestimable Hank Jones on piano and Marvin "Smitty" Smith on drums. "Del Sasser" is the sole representative from that intriguing album she made with trumpet player John D'earth.