Blues' Blues

Various Artists - Let Me Tell You About The Blues - Atlanta: The Evolution Of Atlanta Blues (2010) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 562 Mb | MP3 @320 -> 453 Mb
Full Artwork @ 300 dpi (png) -> 146 Mb | 5% repair rar
© 2010 Fantastic Voyage / Future Noise Music Ltd. | FVTD055
Blues / Regional Blues

Like Memphis, Tennessee, Atlanta was a staging post for itinerant musicians and like Memphis, it was home to an impressive number of guitarists who established a very distinctive style of playing that became synonymous with the city. It was also the location for the first country blues artist, Ed Andrews, to be recorded. Three years later, Julius Daniels was the first Carolina bluesman to record. Atlanta was also a recording centre for out-of-state artists such as Blind Lemon Jefferson, Bo Carter, the Memphis Jug Band, Blind Willie Johnson and Hambone Willie Newbern. A further school of blues gathered around Peg Leg Howell and Eddie Anthony.

Various Artists - Let Me Tell You About The Blues - Texas: The Evolution Of Texas Blues (2010) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 528 Mb | MP3 @320 -> 448 Mb
Full Artwork @ 300 dpi (png) -> 125 Mb | 5% repair rar
© 2010 Fantastic Voyage / Future Noise Music Ltd. | FVTD047
Blues / Regional Blues

‘The blues come to Texas, loping like a mule,’ Blind Lemon Jefferson sang through a shower of surface noise as he made his recording debut in March 1926. He established the primacy of Texas blues musicians that continued unchallenged for the next 30 years, encompassing the likes of Henry ‘Ragtime’ Thomas, Texas Alexander, T-Bone Walker, Smokey Hogg, Lightnin’ Hopkins, Clarence ‘Gatemouth’ Brown, Clarence Garlow, Lil’ Son Jackson, Lowell Fulson and Frankie Lee Sims. Other famous musicians recorded when they were passing through Texas, and that included Lonnie Johnson, Walter Davis, The Mississippi Sheiks, Robert Johnson, Roy Brown, Joe Turner, Honeyboy Edwards, Memphis Slim and Jimmy McCracklin.

This four-disc, 68-track collection paints a broad definition of the blues, with cuts ranging from vintage country blues (Robert Johnson's “Cross Road Blues,” Son House's “Death Letter Blues”) to uptown jazz blues (Nina Simone's “Blues for My Mama,” Billie Holiday's “Billie’s Blues”), Chicago blues (a live version of “Howling Wolf” by Muddy Waters), British blues (Jeff Beck's “JB’s Blues”), and contemporary acoustic blues (“Am I Wrong” by Keb' Mo'), with plenty of stops in between, making for a random but varied playlist that circles the different approaches and musical definitions of the genre.

This band is hot. Very, very hot. And those aren't just empty words. After all, the Blues Company from Osnabrück, Germany is neither a hodgepodge of rank beginners nor - to borrow business lingo - a group of new business starters. Rather, they are a team of artists who have made their mark, musicians with experience and know-how aplenty. The musicians at work here have long since ensured that the name of their “company” is a recognised “seal of approval”. In a nutshell, “Blues Company” stands for German's longest-running and most successful blues band. And with each new recording, with each concert, these pros underscore that their passionate love affair with the blues is burning brightly as ever.

An amazing collection of classic Blues standbys, along with little know songs that served as the basis of the music that we listen to today. Again, an outstanding collection of three CDs worth of history, an essential Collector's item…