Like Memphis, Tennessee, Atlanta was a staging post for itinerant musicians and like Memphis, it was home to an impressive number of guitarists who established a very distinctive style of playing that became synonymous with the city. It was also the location for the first country blues artist, Ed Andrews, to be recorded. Three years later, Julius Daniels was the first Carolina bluesman to record. Atlanta was also a recording centre for out-of-state artists such as Blind Lemon Jefferson, Bo Carter, the Memphis Jug Band, Blind Willie Johnson and Hambone Willie Newbern. A further school of blues gathered around Peg Leg Howell and Eddie Anthony.
“Nuno goes from good to better to best on an album that mixes blues and rock classics… while kicking in a few of his own songs. Both as a guitarist and singer, Nuno is sort of reminiscent of Clapton while his low key, understated and bluesy singing style is sort of a reminder of a modern J.J. Cale… Free Blues will have you coming back for more”. (www.mwe3.com).Free Blues, by internationally acclaimed Blues guitarist Nuno Mindelis, celebrates a Blues Phoenix arising from the ashes. Blues music has undergone rediscovery and rebirth as it is passed from generation to generation…..
A 4 CD box set which chronicles the band's history and recording career from their first recordings up to the present day. Features a total of 78 tracks, including rare and unreleased items, and a lavishly produced booklet with in-depth notes by official Blues Band historian Roy Bainton, plus loads of memorabilia care of Tom McGuinness All tracks digitally remastered!
This four-disc, 68-track collection paints a broad definition of the blues, with cuts ranging from vintage country blues (Robert Johnson's “Cross Road Blues,” Son House's “Death Letter Blues”) to uptown jazz blues (Nina Simone's “Blues for My Mama,” Billie Holiday's “Billie’s Blues”), Chicago blues (a live version of “Howling Wolf” by Muddy Waters), British blues (Jeff Beck's “JB’s Blues”), and contemporary acoustic blues (“Am I Wrong” by Keb' Mo'), with plenty of stops in between, making for a random but varied playlist that circles the different approaches and musical definitions of the genre.
This three-CD set documents some historic country-blues performances by the likes of Mississippi John Hurt, Skip James, Bukka White, Mississippi Fred McDowell and Mance Lipscomb. The urban side of things is well represented by Lightnin’ Hopkins, John Lee Hooker, Memphis Slim, Muddy Waters with Otis Spann, The Paul Butterfield Blues Band and The Chambers Brothers turning in a riveting rendition of “See See Rider.” Included here are 11 previously unreleased tracks. A must for acoustic-blues fans.