Blues Buddy Rich

Buddy Rich - Take It Away (1968) {Capitol–BGO BGOCD210 rel 1993}
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© 1968, 1993 Capitol Records / BGO Records | BGOCD210
Jazz / Modern Big Band / Swing / Mainstream Jazz / Drums

Despite its title, this was actually the third album by Buddy Rich's still-new big band. The recording is taken from two different periods that, although only five months apart, find the band undergoing some major turnover; only six of the 15 sidemen are the same. With such players as altoist Ernie Watts, trumpeter Chuck Findley, and usually Jay Corre on tenor, this was a strong outfit. Most of the material (other than "Chicago" and "I Can't Get Started") was new; among the high points are "The Rotten Kid," "New Blues," and the complex "Diabolus."

Gene Krupa, Buddy Rich - Krupa and Rich (1955) {Verve 521 643-2 rel 1994}
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© 1955, 1994 Verve / PolyGram Records | 521 643-2
Jazz / Bop / Swing / Mainstream Jazz / Drums

On this CD reissue, drummers Gene Krupa and Buddy Rich only actually play together on one of the seven songs, a lengthy rendition of "Bernie's Tune" that has a six-minute "drum battle." Krupa and Rich do perform two songs apiece with a remarkable all-star band consisting of trumpeters Dizzy Gillespie and Roy Eldridge, tenors Illinois Jacquet and Flip Phillips, pianist Oscar Peterson, guitarist Herb Ellis, and bassist Ray Brown. Each of the principals get some solo space, giving this release more variety than one might expect. In addition there are two bonus cuts from a Buddy Rich date that feature the drummer with trumpeters Thad Jones and Joe Newman, tenors Ben Webster and Frank Wess, Oscar Peterson, Ray Brown, and rhythm guitarist Freddie Green. Excellent music overall if not quite essential.

This album documents drummer Buddy Rich's bout with what were contemporary trends in jazz and pop music during the year 1980. Operating in a groove similar to that of Maynard Ferguson's high-voltage big band, Rich and Co. churned out exciting music that went over well with the crowd at Ronnie Scott's jazz club in London, England. The leader of the reeds, and this band's featured soloist, was tenor and soprano saxophonist Steve Marcus. Don Menza's ultra-funky "Beulah Witch" and Bob Kaye's "Grand Concourse" have that beefed-up, big city big-band feel that was so prevalent during the '70s and '80s. The rest of the tunes on this album were composed by baritone saxophonist Bob Mintzer. His "Blues a la 88" is finely wrought and superbly executed…

Mel Tormé and Buddy Rich had been friends for decades prior to finally getting around to recording together. Although largely a Tormé vocal record, the Buddy Rich Orchestra, with guest altoist Phil Woods, is in top form, and the drummer/leader has several solos…

Compared to the previous Mercy, Mercy, this recording is a lesser effort by the Buddy Rich big band. However, the outing does have its notable moments, with the key soloists being the young altoist Richie Cole, tenor saxophonist Pat LaBarbera, guitarist David Dana and the drummer/leader. Recorded live at the Whiskey A-Go-Go, some of the songs are stronger than others; a pair of tunes by the Doors sound silly in this context. Highlights include Don Sebesky's "Soul Lady," Bill Holman's "Ruth" and "The Meaning of the Blues."