Blues Country From July 2016

Like Mick Jagger before him, Steven Tyler itched to launch a solo career, but where Mick struck while the iron was relatively hot – 20 years after "Satisfaction," true, yet the Rolling Stones still packed arenas – the Aerosmith singer took the better part of a decade to figure out what he wanted to do on his own. Stumbling through a starring gig on American Idol and an accompanying flop single that led to an awkward 2012 reunion with Aerosmith, Tyler finally resurfaced as a country singer – a surprise, because the closest he ever came to country was the Desmond Child co-write "What It Takes," a power ballad that provides a good touchstone for 2016's We're All Somebody from Somewhere.

Don't Turn Me From Your Door comprises a set of 1953 sessions that were originally released in 1963 and later in 1972, under the title Detroit Special. Despite its twisted historical background, this is fine, first-rate Hooker. A few tracks feature the support of guitarist/vocalist Eddie Kirkland, a few others, an unnamed bassist, but this is pretty much pure John Lee Hooker – just him and a guitar, running through a set of spare, haunting blues that include such tracks as "Blue Monday" and "Stuttering Blues." There are none of his best-known tracks on the album, but it's one of his most consistent original records.

Johnny Cash - Koncert V Praze - In Prague Live (2016) {Columbia 88875169582 rec 1978}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 275 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1978, 2016 Columbia / Sony Music | 88875169582
Country / Traditional Country

For decades, the only way to enjoy Johnny Cash live in your home was on his two arguably finest albums, both recorded at penitentiaries; At Folsom Prison and At San Quentin. Since they are established classics, the argument can be made there really wasn’t a need for more. That has changed as labels dig ever deeper to mine material from legends like Cash from their vaults. It has resulted in no less than two recent concert recordings from Cash; Man in Black:Live in Denmark 1971 released in early December last year and now this show, recorded in Czechoslovakia circa 1978. Add these to 2003’s A Concert Behind Prison Walls, Johnny Cash at Madison Square Garden (a 1969 date finally seeing the light of day in 2002), and 2011’s 53 track Bootleg Vol lll:Live Around the World. And that’s just for starters. Considering how much he performed, it’s likely more are on the way.

Porter Wagoner - A Slice Of Life (1962) & Satisfied Mind (1957) + 6 Bonus Tracks {Hoodoo Records 263545 rel 2016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 342 Mb | MP3 @320 -> 167 Mb
Full Artwork @ 300 dpi (jpg) -> 29 Mb | 5% repair rar
© 1957, 1962, 2016 RCA Victor / Hoodoo Records 26354
Country / Nashville Sound / Country Pop / Traditional Country

One of the most influential figures in country music history, the great Porter Wagoner was an artist ahead of his time. In 1952, signed a contract with RCA and developed a unique style of performance and produced a wealth of outstanding Country. This release puts together two of Porter Wagoner's finest LPs, the long unavailable: A Slice of Life's Happy 'n' Sad (1962) and his debut Satisfied Mind (1957). Originally released by the RCA Victor, both albums were remastered and supplemented with 6 bonus tracks from the same period. 24 bit digitally remastered, extensive 16-page booklet. 2 LPs on one CD!

The Real…Blues is a collection of 50 blues classics across 3CDs, housed in a fold out card digipack case.

Although he shared the same rockabilly roots as Carl Perkins, Johnny Cash, and Elvis Presley, Roy Orbison went on to pioneer an entirely different brand of country/pop-based rock & roll in the early '60s. What he lacked in charisma and photogenic looks, Orbison made up for in spades with his quavering operatic voice and melodramatic narratives of unrequited love and yearning. In the process, he established rock & roll archetypes of the underdog and the hopelessly romantic loser…

Originally recorded in 1957, these sessions turned out to be the last the legendary Big Bill Broonzy would record; only a little over a year later, he succumbed to lung cancer. This collection consists not of fan or producer favorites, but Broonzy favorites, and includes a variety of blues, folk, and devotional music. Though he was instrumental to the development of the blues and the Chicago sound, much of the material on this three-disc set reaches back to the music that the blues came from, with a lot of drop-in help from Broonzy's friends, of which there were many. That makes these recordings not only recordings, but documentation, a testament to a bluesman who was at once musician and historian.