Bob Corcoran

A stunning collection of artists and performances celebrate the timeless music of legendary gospel bluesman Blind Willie Johnson. From Derek Trucks’ and Susan Tedeschi’s reverent reading of Keep Your Lamp Trimmed And Burning to Lucinda Williams’ slide guitar-fueled lament in Nobody’s Fault But Mine, from Luther Dickinson’s spirited take on Bye And Bye I’m Going To See The King (with The Rising Star Fife & Drum Band) to Tom Waits’ virtual embodiment of Johnson himself on The Soul Of A Man and John The Revelator, this record is packed with incomparable recordings that speak as much to the greatness of the performers as they do the enduring legacy of Blind Willie Johnson. Featuring Tom Waits, Lucinda Williams, Derek Trucks & Susan Tedeschi, Cowboy Junkies, The Blind Boys Of Alabama, Sinéad O'Connor, Luther Dickinson, Maria McKee and Rickie Lee Jones.

Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he re-organized and was active again with his band from then until his death in 1983. He was especially known among musicians for his astonishing technical proficiency as well as his superior tone, and was extremely influential on up and coming trumpet players from the late 1930s into the 1940s. He was also an actor in a number of motion pictures that usually featured his bands in some way.

Opened in 1965 and located along the Potomac River in Washington, DC's Foggy Bottom neighborhood, the Watergate became one of the capital's chicest addresses, a hub for power brokers and the epicenter of a scandal that brought down a president. In The Watergate, writer and political consultant Joseph Rodota skillfully paints a vivid portrait of this historical landmark whose name has become an indelible part of the cultural zeitgeist.

Before Jon Lajoie was known as YouTube’s satirical rap-master “Everyday Normal Guy” or The League’s guitar-toting daydreamer “Taco,” he spent most of his time playing in bands in and around his hometown of Montreal. Wolfie’s Just Fine is his long-awaited return to making music independent of comedy.