Bob Dylan Blood On The Tracks

Following on the heels of an album where he repudiated his past with his greatest backing band, Blood on the Tracks finds Bob Dylan, in a way, retreating to the past, recording a largely quiet, acoustic-based album. But this is hardly nostalgia – this is the sound of an artist returning to his strengths, what feels most familiar, as he accepts a traumatic situation, namely the breakdown of his marriage…

Months before Bob Dylan released Blood On The Tracks in early 1975, a small number of test pressings were circulated, consisting entirely of material from sessions at A&R Recording Studios in New York City. (Dylan re-recorded five of these tracks in Minneapolis for inclusion on the final album.) Those original records were soon bootlegged, and the alternate history of one of Dylan’s most acclaimed works was born. This LP is an exact duplicate of the test pressing, containing unique mixes from the New York session, available commercially for the first time.

Bob Dylan - The Freewheelin' Bob Dylan (1963). It’s the album the ignited sea changes in pop culture, music, songwriting, poetry, and the social consciousness. It’s the creation of a 22-year-old visionary still years away from casting a jaundiced eye to the media. It’s the sound of change, the feeling of ground shifting beneath one’s feet, and the entrance of an entirely new way of thinking. It’s the effective beginning of what’s arguably the boldest career in music history, the yawning vortex into the complex mind, supernatural wordplay, and folk techniques of a vocalist/guitarist whose name is forever associated with transformation. It’s The Freewheelin’ Bob Dylan…

CD box set release from Bob Dylan including his eight original albums from "Bob Dylan (1962)" to "John Wesley Harding (1968)." All albums feature the 2010 remastering from each mono master. *Japan edition exclusively features cardboard sleeve (mini LP) manufactured by Japan (size: 13.5 x 13.5cm). It faithfully repricates the original LP artwork with Obi. Limited copies of 5000.

Perhaps it was inevitable that Bob Dylan would change direction at the end of the '70s, since he had dabbled in everything from full-on repudiation of his legacy to a quiet embrace of it, to dipping his toe into pure showmanship…

This album was unusual on several counts. For starters, it was a soundtrack (for Sam Peckinpah's movie of the same title), a first venture of its kind for Bob Dylan. For another, it was Dylan's first new LP in three years – he hadn't been heard from in any form other than the single "George Jackson," his appearance at the Bangladesh benefit concert in 1971, in all of that time…