Bob Dylan The Best of The Original Mono Recordings

The Best of the Original Mono Recordings is a single-disc distillation of 2010’s nine-disc box The Original Mono Recordings, picking 14 tracks from the eight albums on the box and adding the non-LP single “Positively 4th Street.” The inclusion of this 1965 Top Ten hit makes this disc enticing to collectors, although it does suggest that the box would benefit from a brief bonus disc of singles containing that song, “Can You Please Crawl Out Your Window,” “If You Gotta Go, Go Now,” and “Mixed-Up Confusion.” But this disc is intended to be nothing more than a sampler hinting at the treasures within the big box…

CD box set release from Bob Dylan including his eight original albums from "Bob Dylan (1962)" to "John Wesley Harding (1968)." All albums feature the 2010 remastering from each mono master. *Japan edition exclusively features cardboard sleeve (mini LP) manufactured by Japan (size: 13.5 x 13.5cm). It faithfully repricates the original LP artwork with Obi. Limited copies of 5000.

There was a time in the 1960s when US Top 40 radio and record sales were dominated by British invasion bands like The Beatles, The Rolling Stone, The Kinks and The Who. The US had a few answers, but none more potent, or competent, than The Byrds, who had a string of incredible singles and classic albums, and were able to evolve with the times, from folk rock, through psychedelic rock before finally settling into the country rock genre…

Though many remember only their 1967 hit, "Happy Together," the Turtles were one of the more enjoyable American pop groups of the '60s, moving from folk-rock inspired by the Byrds to a sparkling fusion of Zombies-inspired chamber pop and straight-ahead, good-time pop reminiscent of the Lovin' Spoonful, the whole infused with beautiful vocal harmonies courtesy of dual frontmen Howard Kaylan and Mark Volman. Though they hit number one in 1967 with the infectious "Happy Together," the Turtles scored only three more Top Ten hits and broke up by the end of the '60s.

Mastered from the Original Master Tapes and Limited to 2,500 Numbered Copies: Sonically Superb SACD Presents the Music in True-to-the-Original Mono.

Frank Zappa - The MOFO (The Making Of Freak Out!) - Project/Object (1966) {4CD Set Zappa Records ZR 20004 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.13 Gb | MP3 @320 ->577 Mb
Full Artwork @ 300 dpi (jpg) -> 72 Mb | 5% repair rar
© 1966, 2006 Zappa Records / The Zappa Family Trust / Munchkin Music | ZR 20004
Rock / Experimental Rock

A deluxe 4cd set and a 2cd set. The annoying thing is that the 2cd set has a few songs that arent on the mega 4 disc version, so if you're a completist, you will need both and you end up with a lot of duplicate material. That is my only real problem with mofo, pretty much everything else about this box is fantastic. For me, the best part is the beautiul remaster of the original 1966 Stereo mix of "Freak Out!". The Freak Out cd that frank released in the 80's and is currently in print through rykodisc was a re-mix which sounds pretty good, but this original mix is much warmer and full of life. There is no contest as which mix I prefer, the original 1966 version is far superior in my opinion. The rest of the sets contains various alternate mixes, backing tracks, interviews, studio improvisations (all lead by Frank) and some early live recordings. There is one bonafide outtake "Groupie Bang Bang" which is as good as anything elese on the album. A great Bo Diddley type rhythm with hilarious lyrics (sung by Ray Collins) about, you guessed it, a groupie!

Aretha Franklin - Take A Look: Aretha Franklin Complete On Columbia (1960-1965) {11CD+DVD Box Set Columbia rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.16 Gb | MP3 @320 -> 1.38 Gb
DVD5 -> 990 Mb | All Regions | NTSC 4:3 | LPCM, 2 ch | ~ 16 min | ISO Image
Full Artwork @ 300 dpi (png) -> 447 Mb | 5% repair rar
© 1960-65, 2011 Columbia / Legacy / Sony Music | 88697792792
R&B / Soul / Jazz / Gospel / Deep Soul / Quiet Storm / Soul Blues / Southern Soul

Aretha Franklin has simply been one of the greatest singers of the modern generation, and whether bringing her powerful, passionate voice to bear on gospel standards, songs from the Great American Songbook, jazz standards, pop ditties, or deep Southern soul and R&B, she has always had the presence – much like Ray Charles – to make anything she touches unmistakably hers. Franklin began her career in gospel when she was still a teenager, and her amazing vocal talents, coupled with her fine piano playing, marked her as a once-in-a-lifetime kind of artist, qualities very apparent to legendary talent scout John Hammond, who signed her to Columbia Records.