Bob Various Artists

Charlie Parker Records: The Complete Collection, Vol. 12 - Oscar Moore + Various Artists (2012 CP Records 233193/12 rec 1954}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 181 Mb
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© 1954, 2012 Charlie Parker Records / Membran Media / Documents | 233193 / 12
Jazz / Cool / West Coast Jazz / Bop / Mainstream Jazz

Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?

Various Artists - From Hard Bop To Cool (1955-1957) - La Grande Histoire Du Jazz Vol. 3 (2010) {Box 25CD - 75 of 100}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 10.6 Gb | MP3 @320 -> 5.07 Gb
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© 1955-57, 2010 Le Chant du Monde | 574 1950.74
Jazz / Classic Jazz / Bop / Hard Bob / Cool

An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.

Various Artists - Let Me Tell You About The Blues - Atlanta: The Evolution Of Atlanta Blues (2010) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 562 Mb | MP3 @320 -> 453 Mb
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© 2010 Fantastic Voyage / Future Noise Music Ltd. | FVTD055
Blues / Regional Blues

Like Memphis, Tennessee, Atlanta was a staging post for itinerant musicians and like Memphis, it was home to an impressive number of guitarists who established a very distinctive style of playing that became synonymous with the city. It was also the location for the first country blues artist, Ed Andrews, to be recorded. Three years later, Julius Daniels was the first Carolina bluesman to record. Atlanta was also a recording centre for out-of-state artists such as Blind Lemon Jefferson, Bo Carter, the Memphis Jug Band, Blind Willie Johnson and Hambone Willie Newbern. A further school of blues gathered around Peg Leg Howell and Eddie Anthony.

Featuring many of the most influential and charismatic musicians from the 1960's and 1970's, Rock Revolutions is a unique collection of spine-tingling performances from a time when passionate music helped change the world. Showcasing more than 20 live performances from rock gods Jimi Hendrix and Free to pop legends Elton John and Abba, the King of reggae, Bob Marley, and even soulful brothers James Brown and Otis Redding - this is a one-off collection packed with never before seen footage so rare its like may never be seen again.

Various Artists - Miles Espanol - New Sketches Of Spain (2011) {2CD Set, eOne EOM-CD-2104, Miles Davis related}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 665 Mb | MP3 @320 -> 274 Mb
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© 2011 eOne Music | EOM-CD-2104
Jazz / Latin / Modern Creative / Fusion / Flamenco

Producer Bob Belden has turned reinventing the music of Miles Davis into a cottage industry, taking Davis to India for 2008’s Miles from India, and more recently Belden has given us Asiento, which re-imagined Bitches Brew as a slice of electronica. Now he gives us Miles Español, which finds Belden pairing veterans of Davis' various bands with musicians from Spain, Morocco, and Latin America on classic tracks from Davis' Sketches of Spain and Kind of Blue albums. Hearing Davis compositions with oud, bassoon, accordion, and bongos is certainly exotic and interesting, but one longs for the elegant, stately grace of the original albums.

The Secret Policeman's Third Ball took place at The London Palladium over four consecutive nights 26–29 March 1987. The show's format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of it being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to comedy and music. The show's four nights were divided up into two nights of comedy and two nights of music.