Time Out of Mind was a legitimate comeback, Bob Dylan's first collection of original songs in nearly ten years and a risky rumination on mortality, but its sequel, Love and Theft, is his true return to form, not just his best album since Blood on the Tracks, but the loosest, funniest, warmest record he's made since The Basement Tapes…
Sony began releasing collections of Bob Dylan rarities with the sole purpose of extending their claims to the copyright to the recordings in 2012, when they released The 50th Anniversary Collection: The Copyright Extension Collection, Vol. 1. The very title of the album made its intent plain, but Sony nevertheless decided to release it under the radar, slipping out a few copies to various territories in Europe instead of prepping the music as part of their acclaimed Bootleg Series…
Time Out of Mind was a legitimate comeback, Bob Dylan's first collection of original songs in nearly ten years and a risky rumination on mortality, but its sequel, Love and Theft, is his true return to form, not just his best album since Blood on the Tracks, but the loosest, funniest, warmest record he's made since The Basement Tapes…
A new compilation of vintage covers of Bob Dylan’s work by Fairport Convention and their friends, A Tree With Roots — Fairport Convention And The Songs Of Bob Dylan, will be released on Island on 3 August. It comes just ahead of the 2018 edition of the band’s celebrated Cropredy Festival, which takes place this year from 9-11 August with Fairport themselves in the traditional headlining slot.
Time Out of Mind was a legitimate comeback, Bob Dylan's first collection of original songs in nearly ten years and a risky rumination on mortality, but its sequel, Love and Theft, is his true return to form, not just his best album since Blood on the Tracks, but the loosest, funniest, warmest record he's made since The Basement Tapes. There are none of the foreboding, apocalyptic warnings that permeated Time Out of Mind and even underpinned "Things Have Changed," his Oscar-winning theme to Curtis Hanson's 2000 film Wonder Boys. Just as important, Daniel Lanois' deliberately arty, diffuse production has retreated into the mist, replaced by an uncluttered, resonant production that gives Dylan and his ace backing band room to breathe…