Bobby Brown Bobby

Tom McClung's piano style displays a broad spectrum of musical and emotional colors. Whether playing blistering bebop, sizzling salsa, down-home blues, pastoral folk or avant-garde, McClung’s expressive touch and vivid imagination present a unique and exciting musical experience for all who listen.

Surf Ride is an album by saxophonist Art Pepper featuring sessions from 1952-54 which was originally released as a 12 inch LP on the Savoy label in 1956. All of the recording presented in original Mono format.

Barret Eugene "Barry" Hansen (born April 2, 1941) better known as Dr. Demento, is an American radio broadcaster and record collector specializing in novelty songs, comedy, and strange or unusual recordings dating from the early days of phonograph records to the present. Hansen created the Demento persona in 1970 while working at Los Angeles station KPPC-FM. He played "Transfusion" by Nervous Norvus on the radio, and DJ "The Obscene" Steven Clean said that Hansen had to be "demented" to play it, and the name stuck. His weekly show went into syndication in 1974] and was syndicated by the Westwood One Radio Network from 1978 to 1992. Broadcast syndication of the show ended on June 6, 2010, but the show continues to be produced weekly in an online version.

"Everybody’s Talkin’" is the energy-packed sophomore album by the Tedeschi Trucks Band. It follows their GRAMMY Award-winning debut album, "Revelator". This innovative blend of originals and spirited covers of rock, R&B and gospel classics captures the group’s roots-rich musical essence.

Les Elgart begann als Jugendlicher Trompete zu spielen; im Alter von 20 Jahren trat er als Profimusiker auf.

Heroes is the eagerly-awaited album of new songs and re-imagined classics performed by Willie Nelson, America's legendary outlaw country music avatar. Heroes is essential Willie Nelson, a seamless collection of top-flight pop-country songs.

Robbie Fulks’s adventurous spirit has defined a critically acclaimed 30-year career that has included 15 solo albums and two GRAMMY® nominations. He came to national attention as a defining artist of the alt-country scene in the 1990s, with releases on the Chicago-based indie Bloodshot Records, North Carolina’s Yep Roc, and Los Angeles’s Geffen Records.

These twelve astonishing tracks are drawn from a broad spectrum of early 70s West African psychedelic classics. Yet the fact that they scarcely registered on the Richter scale of contemporary underground music must surely be one of the greatest ironies of modern popular music, given that western counterculture drew so heavily on the musical, aesthetic and visual traditions of Africa.