Recorded live at the New Daisy Theater with Bland's regular working road band, this captures him in fine form, bringing together old favorites with some other numbers for a heady blend. When called for, the old Joe Scott heavy horn-laden arrangements are summoned up on tunes like "St. James Infirmary," "Farther on Up the Road," "That's the Way Love Is," "I Pity the Fool," and "I'll Take Care of You" with consummate ease. But even more telling is how effortlessly and seamlessly material like Buddy Ace's "Love of Mine," "Members Only," "Soon as the Weather Breaks," and Bill Withers' "Ain't No Sunshine" and "Get Your Money Where You Spend Your Time" meshes with the old standbys. A lengthy slow blues medley brings guest appearances from Johnnie Taylor and Bobby Rush on "Stormy Monday," but the real star here is Bland himself. He's in good voice and good humor, and this makes a fine addition to his stack of latter-day recordings.
There's nobody like Bobby Blue Bland on Duke Records – especially during the early years that are featured on this collection! Bland came out of Memphis with a very unique, really amazing sound right from the start – an approach to blues that was a lot more sophisticated than most of his contemporaries, even those on the LA scene – with lots of jazz in his phrasing, and his backings as well – and this sublime vocal approach that often had Bobby growling in a way that seemed to come from deep down in the depths of his soul, but never in any sort of gimmicky sort of style. Bland was always the perfect balance of cool, class, and outright blues power – and that was never more true than on these sides.
A San Francisco nightclub launched one of the most exciting bands to come out the Northwest. Tommy Chong and Bobby Taylor formed Four Niggers & a Chink from Little Daddie & the Bachelors, who originated from the Shades, a Calgary/Edmonton based group. Little Daddie & the Bachelor's recorded a couple singles, including "Too Much Monkey Business" out of Vancouver, British Columbia.