Boris Parsadanian: Symphony No.2 Arif Melikov: Symphony No.2

This new release is the second in a four-release set from Alba which will feature all four of Johannes Brahms’ symphonies and four symphonies chosen from Leif Segerstam’s more than 300 symphonies. For this release, Brahms’ Symphony No. 2 and Segerstam’s Symphony No. 289 have been chosen. Brahms wrote his Symphony No. 2 in D major during a visit to Portschach am Worthersee in the summer of 1877.

Schubert composed his first five symphonies while still a teenager, but they represent just one facet of his prodigious fluency. At this time some of his musical ideas bear a family resemblance to certain themes from Mozart, Haydn and Beethoven, but already his own musical character is evident. He began his Second Symphony in December 1814 and had finished it by 24th March the following year.

The notes to this recording suggest that Ture Rangstrom's 2nd symphony, subtitled "My Land", is his least-played symphony because it speaks in a nationalistic language that is an anathema to Swedes. If true, it's too bad because this is a wonderful piece, full of northern, though not distinctly Swedish, atmosphere. Unlike the 1st symphony, which is written in a tense style full of Wagnerian chromaticism, the 2nd symphony limits itself to more diatonic harmony which makes it easier listening. Like his previous effort, Rangstrom builds his movements out of short themes (& chordal sequences), but his melodic inspiration is on a higher level here. That combined with his distinct ability to create atmosphere results in a memorable piece that really ought to occasionally replace Sibelius' first two symphonies in concert.

This is the first recording of Norbert Burgmüller’s symphonic legacy. This little-known composer studied with Spohr and Hauptmann and his compositions were endorsed by Schumann and Brahms.

Ralph Vaughan Williams' A London Symphony, otherwise known as the Symphony No. 2 in G major, was composed between 1911 and 1913, and premiered in 1914. After the score was lost in the mail, reconstructed from the short score and orchestral parts, and revised twice, the symphony was published at last in 1920, though it was ultimately replaced by the definitive version in 1936, with cuts to the about 20 minutes of the original material. This recording by Martyn Brabbins and the BBC Symphony Orchestra presents the 1920 version, along with three short works, Sound sleep for female voices and small orchestra, Orpheus with his lute for voice and orchestra, and the Variations for brass band. The filler pieces are delightful rarities that Vaughan Williams specialists will find of some interest, though most listeners will prize this recording for the energetic and colorful performance of the symphony, which is one of the composer's most vivid and satisfying works.

Saint-Saëns’s Symphony No. 2 is, by any standards, an outright winner and deserves to be much better known. Here, it’s one of two substantial works flanking a rambunctious account of Danse macabre.

The most comprehensive Bruckner Symphonies cycle, including all available versions. Capriccio’s Complete Bruckner Symphonies Edition includes all versions of the symphonies either published or to be published under the auspices of the Austrian National Library and the International Bruckner Society in the Neue Anton Bruckner Gesamtausgabe (The New Anton Bruckner Complete Edition). Bruckner’s Second Symphony is rarely heard in its 1877 version, and it has remained virtually unperformed in the 1872 original version. This is not because of any deficiency in Bruckner's earlier ideas compared with the later alterations. It’s mainly down to habit and convenience, since acquiring new parts and re-learning a score with many detailed differences requires significant extra effort and resources. That’s a pity, because it is well worth discovering the original rawness of Bruckner’s early masterpiece, something rarely heard since its creation, until now.