Brutal and fast death-metal with twisted double-tracked vocals from Kam Lee, resulting in a cross between Mercyful Fate and Death. The deadliest of death-metal always comes from Florida, and this is no exception.
Referred to as "the great white hope of progressive rock" by Rolling Stone; UK were one of the most influential and acclaimed supergroups of the 1970s. Originally formed in England in 1977 by keyboardist and electric-violinist Eddie Jobson (Roxy Music, Frank Zappa); vocalist and bassist John Wetton (King Crimson); guitarist Allan Holdsworth (Soft Machine); and drummer Bill Bruford (Yes, King Crimson, Genesis), UK represented the final statement of the classic progressive-rock era…
The Mamas & The Papas,Ultimate Anthology(TJL/Universal, 2016) :Ultimate Anthology has all of the groups recordings, each of the band’s albums, including a remix of 1971’s People Like U. Also includes a number of rarities, and 23 new-to-CD tracks (including remixed selections), and previously unreleased outtakes, with a total of 104 tracks. Ultimate Anthologyboasts ALL OF THE GROUP’S STUDIO RECORDINGS…that means every one of the band’s albums, including a revelatory new remix of 1971’sPeople Like Us,and a host of rarities, a whopping 23 new-to-CD tracks (including remixed selections), and previously unreleased outtakes!
Back in the ’80s, Adam Ant was a giant UK Pop star with ten top charting singles in the UK between 1980 and 1983. His second album, Kings Of The Wild Frontier, released in 1980 helped to start that historical run for Adam Ant. Curated and remastered by Adam Ant, this new Legacy edition includes the original 12 track UK album, B sides, previously unreleased studio demos and rough cuts, a previously unissued live recording and rarities all fully remastered from original tape by Adam Ant.
Mid 50s genius from Sonny Rollins - 5 albums in a single set, all presented in LP-styled sleeves. Includes 'Worktime' (1956), 'With The Modern Jazz Quartet' (1956), 'Tenor Madness' (1956), 'Moving Out' (1956) and 'Saxaphone Colossus' (1957).
Worktime is a record that perfectly illustrates why Rollins was one of the greatest players on his horn for many decades running! There's a depth of tone on the record that rivals Coleman Hawkins or Lester Young - but a quickness of pace and imagination that shows a clear influence from Charlie Parker, and a deftness that few were bringing to the tenor at the time. The rhythm section here is super tight - and features Ray Bryant on piano, George Morrow on bass, and Max Roach on drums…