Boulanger

Marie-Juliette Olga Boulanger was born into a musical family. Her grandfather was a cellist, her grandmother a famous soprano (Marie-Julie Boulanger, née Hallinger), her father a composer who had won the Prix de Rome in 1835. Her mother, Countess Raissa Myshetskaya, was a professional singer, and her sister was Nadia Boulanger, who became famous as a teacher, particularly to a generation of American composers.
Lili, as she was called, suffered a nearly fatal case of pneumonia when she was two years old. Although she survived, it would appear that her immune system was compromised, for she was a frequent sufferer from various illnesses. She was deeply attached to her father, ……..
From Allmusic

This is Lucile Boulanger’s first solo recital. The French gambist, universally praised for her natural and moving playing – BBC Music Magazine even described her as ‘the Jacqueline du Pré of the viola da gamba’ – juxtaposes Bach with Carl Friedrich Abel, a great master of the bass viol and a close friend of the Bach family. Although Johann Sebastian never wrote for solo viola da gamba, we know that he transcribed many of his works for other instruments. So Lucile Boulanger has chosen, for example, to transcribe three dances from the Sixth Suite, ‘because it sounds particularly good on the viol, being written for five-stringed cello (a step towards the six or seven strings of the viol?). It is in D, the viol key par excellence, and its style, already somewhat galant , is reminiscent of Abel… This album gives me the opportunity to showcase the viol as both a melodic instrument – with the grain of the bow, the fragility of tone – and a polyphonic one.’

Nadia and Lili Boulanger, each in her own way, made a lasting impact on the musical world of the twentieth century. Sometimes luminous and full of hope, sometimes more somber, all their works testify to a poignant humanity. Going beyond the mélodies, Lucile Richardot, Anne de Fornel and the other artists assembled for this edition offer a multi-faceted portrait of the two composers, a form of musical narrative containing pieces that have never been published or recorded before.