The title pretty much says it all. These 10 new compositions and well-chosen covers play like a scrapbook of pianist/composer Brown’s favorite sounds. There’s the daredevil, highly technical ensemble swinging that sometimes seems like the signature of his alma mater, Berklee School of Music. There’s the propulsive bounce of the Fender Rhodes electric piano that will always feel like a trapdoor to the 1970s, that decade when Herbie Hancock, Joe Zawinul, Chick Corea and a few others nailed it and made it a permanent part of the jazz soundscape.