Metamorphosis follows on the heels of past Illustra offerings, including Privileged Planet, Unlocking the Mystery of Life, and Darwin's Dilemma. It's probably true that with these films taken altogether, Illustra producer and documentarian Lad Allen has made the most easily accessible, visually stunning case for intelligent design available. If you have one shot at opening the mind of an uninformed and dismissive friend or family member, the kind who feels threatened by challenges to Darwinism, then presenting him with a copy of a 600-page volume like Signature in the Cell, or even a slimmer alternative like Darwin's Black Box, would probably be less effective than choosing one of Mr. Allen's DVDs. Among those, Metamorphosis might well make the best initial selection, since the argument for intelligent design doesn't come in till the third and final act. When it comes, it's a soft sell, preceded by a gorgeous, non-threatening nature film that only hints at what's ahead in Act III. In Act I, the focus is on the mind-blowing magical routine by which the caterpillar enters into the chrysalis, dissolves into a buttery blob and swiftly reconstitutes itself into a completely different insect, a butterfly.
Polish singer and songwriter Basia became prominent during the 1980s, first for her membership in the polished British pop-jazz vocal outfit Matt Bianco, and later as a solo artist. Her first three wildly successful recordings – which sold by the truckload in the U.S. and U.K. – made her something of a household name during the MTV era. Her Brazilian-influenced jazzy soul helped to create a standard of excellence in adult contemporary on par with peers Everything But the Girl, Swing Out Sister, Level 42, and Sade. She all but disappeared after the '90s, but did take part in a reunion with her former band for 2004's acclaimed Matt's Mood. In 2009, she returned to solo recording with It's That Girl Again. The album resonated with longtime fans, but failed to rival the large sales of her earlier outings, perhaps due to a transitioning industry landscape.
Polish singer and songwriter Basia became prominent during the 1980s, first for her membership in the polished British pop-jazz vocal outfit Matt Bianco, and later as a solo artist. Her first three wildly successful recordings – which sold by the truckload in the U.S. and U.K. – made her something of a household name during the MTV era. Her Brazilian-influenced jazzy soul helped to create a standard of excellence in adult contemporary on par with peers Everything But the Girl, Swing Out Sister, Level 42, and Sade. She all but disappeared after the '90s, but did take part in a reunion with her former band for 2004's acclaimed Matt's Mood. In 2009, she returned to solo recording with It's That Girl Again.
Polish singer and songwriter Basia became prominent during the 1980s, first for her membership in the polished British pop-jazz vocal outfit Matt Bianco, and later as a solo artist. Her first three wildly successful recordings – which sold by the truckload in the U.S. and U.K. – made her something of a household name during the MTV era. Her Brazilian-influenced jazzy soul helped to create a standard of excellence in adult contemporary on par with peers Everything But the Girl, Swing Out Sister, Level 42, and Sade. She all but disappeared after the '90s, but did take part in a reunion with her former band for 2004's acclaimed Matt's Mood. In 2009, she returned to solo recording with It's That Girl Again. The album resonated with longtime fans, but failed to rival the large sales of her earlier outings, perhaps due to a transitioning industry landscape. But everything in pop is cyclical.